Sukanya, Act 2: VIII. Prelude by Ravi Shankar, David Murphy, Njadbulo Madlala, Susanna Hurrell, Alok Kumar, Michel de Souze, London Philharmonic Orchestra, Keel Watson Song Details

On 2017, the song "Sukanya, Act 2: VIII. Prelude" was released by Ravi Shankar, David Murphy, Njadbulo Madlala, Susanna Hurrell, Alok Kumar, Michel de Souze, London Philharmonic Orchestra, Keel Watson. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Sukanya, Act 2: VIII. Prelude's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Ravi Shankar: Sukanya". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Sukanya, Act 2: VIII. Prelude is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

With Sukanya, Act 2: VIII. Prelude by Ravi Shankar, David Murphy, Njadbulo Madlala, Susanna Hurrell, Alok Kumar, Michel de Souze, London Philharmonic Orchestra, Keel Watson having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

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