สำนักการสังคีตกรมศิลปากร's ' "แปลง (การต่อสู้กระบี่กระบอง)" was released on its scheduled release date, 1990. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in อ.เสรี, Vol. 9: ปี่มวย, so we believe that "แปลง (การต่อสู้กระบี่กระบอง)" is a single. Based on our statistics, แปลง (การต่อสู้กระบี่กระบอง)'s popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of แปลง (การต่อสู้กระบี่กระบอง) by สำนักการสังคีตกรมศิลปากร is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Muay Thai WSS Round 3 มวยไทยรอบที่สาม | Resetless Beats | D♭ Major | 8 | 3B | 136 BPM | ||
| The Monkey God | Celestial Aeon Project | D Major | 1 | 10B | 112 BPM | ||
| Chingis khaany magtaal | J. Mönkhbat | A♭ Major | 2 | 4B | 100 BPM | ||
| แปลง (การต่อสู้กระบี่กระบอง) | สำนักการสังคีตกรมศิลปากร | G Minor | 7 | 6A | 144 BPM | ||
| 秩父屋台ばやし(埼玉県・秩父市) | 秩父祭保存会 | D♭ Major | 4 | 3B | 133 BPM | ||
| Haliur Murun | Altai Band | A Major | 4 | 11B | 78 BPM | ||
| Нохчо ву со | Джамлай | A Minor | 5 | 8A | 147 BPM | ||
| Sword Fighting | Pichit Paiboon | G Major | 2 | 9B | 84 BPM | ||
| Triad Mantra Chant | Buddhist Monks of Maitri Vihar Monastery | G Major | 1 | 9B | 93 BPM | ||
| Fight Motion | Georges Bodossian | D♭ Major | 6 | 3B | 115 BPM | ||
| Raga Baïragi-Bhaïrav - Vilambit Tîn-Tal | Ram Narayan, Suresh Talwalkar, François Auboux | B♭ Minor | 2 | 3A | 104 BPM | ||
| Chinggis Khaan | Khusugtun | F♯ Major | 4 | 2B | 153 BPM | ||
| Loughnashade Lament | John Kenny | E♭ Major | 0 | 5B | 139 BPM | ||
| Santur Saga | Håkan Glänte | E Major | 3 | 12B | 130 BPM | ||
| Three Mantra Chant | Buddhist Monks of Maitri Vihar Monastery | G Major | 1 | 9B | 83 BPM | ||
| Maat [Truth, Balance, Order] - Instrumental IV | Michael Atherton | E♭ Major | 4 | 5B | 101 BPM | ||
| Piphat Ensemble | Imade Saputra | D♭ Minor | 5 | 12A | 110 BPM | ||
| Ondarnyng Ayany (Ondar's Medley) | Kongar-ol Ondar | F♯ Minor | 4 | 11A | 126 BPM | ||
| Nackara Gangalook | Ash Dargan | D Major | 0 | 10B | 84 BPM | ||
| じょんがら 健一 | 吉田兄弟 | F Major | 6 | 7B | 146 BPM | ||
| The Lyre of Megiddo | Michael Levy | E♭ Minor | 1 | 2A | 132 BPM | ||
| Altai Kabai | Altai Kai | F Major | 5 | 7B | 120 BPM | ||
| Chen ten | Les Moines Gelugpa Du Monastère Samtem Ling à Katmandou | C Major | 2 | 8B | 86 BPM | ||
| Chandmani nutag (Dedication to the Chandmani Region) | Traditional, Egschiglen | B Major | 2 | 1B | 161 BPM | ||
| Morin khuuriin tatlaga | Chinbat Baasankhuu, Bayarbaatar Davaasuren | B♭ Major | 0 | 6B | 166 BPM |