"沙羅: ゆめ" by 清水重道, 信時潔, 木下保, 安藤寿康, 慶應義塾ワグネル・ソサエティー男声合唱団 had its release date on January 17, 2018. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. 沙羅: ゆめ's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 木下保の藝術~髙田三郎、信時潔合唱作品集~, so we believe that "沙羅: ゆめ" is a single. 沙羅: ゆめ is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 沙羅: ゆめ by 清水重道, 信時潔, 木下保, 安藤寿康, 慶應義塾ワグネル・ソサエティー男声合唱団 is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wesendonck Lieder, WWV 91 (Orch. Mottl): V. Träume | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | A♭ Major | 1 | 4B | 76 BPM | ||
| Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale) | Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier Roth | C Minor | 1 | 5A | 98 BPM | ||
| Die Nacht, Op.10, No.3 | Richard Strauss, Barbara Bonney, Malcolm Martineau | D Major | 0 | 10B | 174 BPM | ||
| Soave sia il vento | Wolfgang Amadeus Mozart, Amici forever, Nick Ingman | E Major | 3 | 12B | 116 BPM | ||
| La Verbena de la Paloma, Act I: Soledad (Cantaora, Guardia 1, Guardia 2, Antonia, Casta, Susana, Vecina, Vecino) | Tomás Bretón, Milagros Martin, Juan Jesùs Rodriguez, Alberto Rios, Ana M. Amengual, Silvia Tro, Maria Bayo, Carmen Campos Ros, Alfredo Garcia Huerga, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | A Minor | 2 | 8A | 150 BPM | ||
| Bachianas brasileiras No. 5, W. 389: 1. Aria (Cantilena) | Heitor Villa-Lobos, Patricia Petibon, Orquesta Nacional De España, Josep Pons | F Major | 0 | 7B | 62 BPM | ||
| Silent noon | Ralph Vaughan Williams, Bryn Terfel, Malcolm Martineau | E♭ Major | 1 | 5B | 111 BPM | ||
| Carmen / Act 1: "Près des remparts de Séville" | Georges Bizet, Cecilia Bartoli, Jean-Yves Thibaudet | D Major | 3 | 10B | 124 BPM | ||
| Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz - Live | Gustav Mahler, Thomas Hampson, Wiener Philharmoniker, Leonard Bernstein | C Major | 0 | 8B | 118 BPM | ||
| Massenet / Transcr. Kadishson for Voice and Guitar: Élégie | Jules Massenet, Liat Cohen | F Major | 1 | 7B | 91 BPM | ||
| Lasciatemi morire! | Claudio Monteverdi, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
| Les Noces, Première partie, Premier tableau: Le départ de la mariée | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel Reuss | B♭ Major | 1 | 6B | 153 BPM | ||
| Fauré: Super flumina Babylonis | Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Laetitia Singleton, Maria Virginia Savastano, Mathias Vidal, Ugo Rabec, Orchestre de Paris | A Minor | 1 | 8A | 115 BPM | ||
| Abendsegen, aus "Hänsel und Gretel" | Engelbert Humperdinck - Composer, Antonia Bourvé, Maria Rebekka Stöhr, Nadine Schuster | D Major | 1 | 10B | 73 BPM | ||
| Verdi: Messa da Requiem: XX. Requiem æternam | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Eric Ericson Chamber Choir, Orfeon Donostiarra, Swedish Radio Choir, Berliner Philharmoniker | F♯ Major | 1 | 2B | 81 BPM | ||
| L'Inconstante | Isabelle Aboulker, Julie Roset, Susan Manoff | C Major | 1 | 8B | 77 BPM | ||
| Requiem, Op. 48: III. Offertoire | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | D Major | 0 | 10B | 77 BPM | ||
| Fauré: 2 Mélodies, Op. 1: No. 2, Mai | Gabriel Fauré, Janet Baker, Gerald Moore | F Major | 1 | 7B | 134 BPM | ||
| Donaudy : "O del mio amato ben" | Stefano Donaudy, Sumi Jo | A Major | 0 | 11B | 132 BPM | ||
| 1. Clair de lune (L 32) | Claude Debussy, Simona Saturova, Marek Kozák | C Major | 2 | 8B | 98 BPM | ||
| Schicksalslied, Op. 54: Orchestral Postlude with Choir (Alternate Version) | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A Minor | 1 | 8A | 92 BPM | ||
| Petite messe solennelle: XVIII. Agnus Dei | Gioachino Rossini, Birgit Remmert, RIAS Kammerchor, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | C Major | 1 | 8B | 80 BPM | ||
| 沙羅, 5. 鴉 | 信時潔, 清水重道, 柳兼子, 小林道夫 | E Minor | 0 | 9A | 120 BPM | ||
| Lakmé: Duo des fleurs. "Sous le dôme épais" | Ronan Maillard, Orchestre Philharmonique de Bruxelles, Sarah Bloch, Fanny Crouet | B Major | 1 | 1B | 89 BPM | ||
| Requiem No. 1 in C Minor: Agnus Dei | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 128 BPM |