"Chicago Field Office" by Víctor Reyes had its release date on September 28, 2010. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Chicago Field Office's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 19 in Buried (Original Motion Picture Score) by Víctor Reyes. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Chicago Field Office's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Chicago Field Office by Víctor Reyes is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Planting a Bug | Cho Young-Wuk | B Minor | 1 | 10A | 73 BPM | ||
| A Father's Lessons | Federico Jusid | A Minor | 6 | 8A | 61 BPM | ||
| Philip | Martin Phipps | A Minor | 1 | 8A | 65 BPM | ||
| Tiangong | Steven Price | D Minor | 3 | 7A | 122 BPM | ||
| Room 410 | Federico Jusid | B Minor | 1 | 10A | 73 BPM | ||
| Mother of Justice | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Yes | Nicholas Britell, Caitlin Sullivan | G Major | 1 | 9B | 103 BPM | ||
| I Hate a Liar | Marcelo Zarvos | D♭ Major | 1 | 3B | 171 BPM | ||
| Wanna Walk? | Marcelo Zarvos | D♭ Major | 0 | 3B | 132 BPM | ||
| Wolfe's Sabotage | Amelia Warner | C Major | 2 | 8B | 67 BPM | ||
| Escape | Víctor Reyes | C Major | 4 | 8B | 128 BPM | ||
| Something The Matter | Hannes De Maeyer, Ruben de Gheselle | E Minor | 0 | 9A | 68 BPM | ||
| Hey Beautiful | Johannes Ringen | D Major | 4 | 10B | 97 BPM | ||
| What's This Really All About? | John Ottman | C Major | 1 | 8B | 180 BPM | ||
| Horrors | Blake Neely | C Major | 1 | 8B | 76 BPM | ||
| Oblivion (Theme from "Walter") | Zeki Cavkaytar | B Minor | 1 | 10A | 73 BPM | ||
| The Arm In The Mirror | Thomas Newman | C Major | 2 | 8B | 184 BPM | ||
| Treadmill | Kenan Bauen, Kenap D | D Major | 1 | 10B | 139 BPM | ||
| Terms of Weakness | Federico Jusid | B Minor | 1 | 10A | 73 BPM | ||
| Cervantes tiene un plan | Alejandro Amenábar | B♭ Minor | 2 | 3A | 130 BPM | ||
| It's Alive | Jon Ekstrand | A♭ Major | 0 | 4B | 110 BPM | ||
| Black Minds | Liliya Kumar, Lofi Chills | A♭ Minor | 2 | 1A | 120 BPM | ||
| At the Ravenite Social Club | Mark Isham | D♭ Major | 0 | 3B | 132 BPM | ||
| Like a Bird | Jon Ekstrand | A Minor | 0 | 8A | 128 BPM | ||
| A Higher Patriotism | Carter Burwell | F Major | 4 | 7B | 97 BPM |