"The Voice Of The Saxophone" by Jimmy Heath had its release date on January 1, 1992. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jimmy Heath's "Little Man Big Band" album is number 3 out of 8. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Voice Of The Saxophone is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Voice Of The Saxophone by Jimmy Heath to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Nearness of You | Milt Jackson | F♯ Major | 2 | 2B | 71 BPM | ||
| In a Sentimental Mood | Dave Stryker, Jimmy Heath | C Minor | 1 | 5A | 85 BPM | ||
| My Foolish Heart | Kurt Elling | B♭ Major | 3 | 6B | 82 BPM | ||
| The Thumper | Jimmy Heath | G Major | 4 | 9B | 108 BPM | ||
| Body And Soul | Paul Gonsalves | B♭ Minor | 2 | 3A | 64 BPM | ||
| Ev'ry Time We Say Goodbye - Instrumental | Charlie Haden Quartet West, Jeri Southern, Dave Barbour Trio | G Major | 1 | 9B | 120 BPM | ||
| I Loves You, Porgy | Norma Winstone, John Taylor | A Major | 0 | 11B | 171 BPM | ||
| Blood Count | Stan Getz Quartet | D Major | 1 | 10B | 109 BPM | ||
| On Green Dolphin Street | Jimmy Heath | F Minor | 5 | 4A | 95 BPM | ||
| Morning | Sara Lazarus | D♭ Major | 6 | 3B | 143 BPM | ||
| Project S | Jimmy Heath | F Minor | 2 | 4A | 115 BPM | ||
| Close to You | Rigmor Gustafsson, Jacky Terrasson Trio | D♭ Major | 1 | 3B | 94 BPM | ||
| After-Blue Hour | Violetta Panini | B♭ Minor | 4 | 3A | 115 BPM | ||
| God Only Knows | Charles Lloyd, Jason Moran | D Major | 1 | 10B | 111 BPM | ||
| Tryin' Times | Quiana Lynell | G Major | 3 | 9B | 118 BPM | ||
| Centerpiece | Lambert, Hendricks & Ross | D♭ Major | 3 | 3B | 105 BPM | ||
| Trouble With a Smile | Virtual Sax | G Major | 4 | 9B | 108 BPM | ||
| The Lonely Swan | Branford Marsalis Quartet | E Minor | 2 | 9A | 89 BPM | ||
| A Bit Too Much | Louise Balkwill | G Major | 4 | 9B | 108 BPM | ||
| I Get Along Without You Very Well | Kurt Elling | B♭ Major | 1 | 6B | 114 BPM | ||
| I Think I Love You | TOKU | F Minor | 2 | 4A | 160 BPM | ||
| Thirsty in the Bathtub (feat. Rosario Bonaccorso, Nicola Angelucci, Fabrizio Bosso) | Olivia Trummer, Rosario Bonaccorso, Nicola Angelucci, Fabrizio Bosso | A♭ Major | 1 | 4B | 121 BPM | ||
| Satin Doll | McCoy Tyner | C Major | 2 | 8B | 120 BPM | ||
| I Can't Get Started | Dizzy Gillespie™ All-Star Big Band, James Moody, Jimmy Heath | F♯ Major | 4 | 2B | 126 BPM | ||
| The Lamp Is Low | Nnenna Freelon | D♭ Major | 5 | 3B | 109 BPM |