"Broken Flesh" by Rael Jones had its release date on 2018. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Broken Flesh's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rael Jones's "Harlots: Seasons 2 (Original Series Soundtrack)" album is number 4 out of 27. On top of that, United States appears to be the country where this track was created. Based on our statistics, Broken Flesh's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Broken Flesh by Rael Jones to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Normandie (From "Claude Monet: The Immersive Experience") - From "Claude Monet: The Immersive Experience" | Michelino Bisceglia | G Major | 1 | 9B | 60 BPM | ||
| Home, I Should Think | Carter Burwell | B♭ Major | 2 | 6B | 98 BPM | ||
| Toad In The Hole | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Variation 1: I. The Weight of Responsibility | Matthew Slater, London Metropolitan Orchestra | F Minor | 5 | 4A | 180 BPM | ||
| Marian and Mrs. Scott | Harry Gregson-Williams, Rupert Gregson-Williams | F♯ Minor | 2 | 11A | 170 BPM | ||
| If Only | George Fenton | G Major | 1 | 9B | 63 BPM | ||
| Lucille's Theme | Maurizio Malagnini | E Major | 1 | 12B | 132 BPM | ||
| Cross tempo | Andrea Guerra | A♭ Major | 0 | 4B | 82 BPM | ||
| Pretty Extraordinary Things | Kevin Smuts | B Minor | 0 | 10A | 93 BPM | ||
| El viaje de Judy | Fernando Velázquez | D♭ Major | 4 | 3B | 96 BPM | ||
| Why Does She Have To Die? - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | A Major | 2 | 11B | 154 BPM | ||
| Theme from Mansfield Park | James Shearman, Nick Ingman | D Major | 2 | 10B | 156 BPM | ||
| About Schmidt | Rolfe Kent | C Minor | 3 | 5A | 77 BPM | ||
| Within A Day | Craig Armstrong | E Major | 1 | 12B | 156 BPM | ||
| A Letter From Prison | Dario Marianelli | B♭ Major | 0 | 6B | 112 BPM | ||
| One True Thing | Cliff Eidelman | A Major | 0 | 11B | 168 BPM | ||
| Masked Like the Night | Michael Price, Rael Jones | D Major | 3 | 10B | 140 BPM | ||
| Van Der Luydens | Elmer Bernstein | F Major | 3 | 7B | 99 BPM | ||
| 'I'm Painting Again' | Nigel Westlake | G Major | 2 | 9B | 70 BPM | ||
| Tema di Jane Eyre | Claudio Capponi, Alessio Vlad | A Major | 2 | 11B | 81 BPM | ||
| Nefeli (Arr. for Circular Flutes, Harp and Electronics by Claudio Ferrarini) | Ludovico Einaudi, Claudio Ferrarini | C Major | 1 | 8B | 117 BPM | ||
| Two-Horned Unicorn | Kris Bowers | C Major | 1 | 8B | 117 BPM | ||
| Knightley's Walk | Samuel Sim | G Major | 1 | 9B | 92 BPM | ||
| 归故里 | Björn Shen, Yuri Goto | B Major | 2 | 1B | 120 BPM | ||
| The Mirror Crack'd from Side to Side | Dominik Scherrer | C Minor | 2 | 5A | 72 BPM |