Harry Partch, John Stannard, Danlee Mitchell, John McAllister, Michael Ranta, Linda Schell's 'Barstow - Eight Hitchhiker Inscriptions from a Highway Railing at Barstow, California' had a release date set for 1969. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "The World of Harry Partch". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Barstow - Eight Hitchhiker Inscriptions from a Highway Railing at Barstow, California is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Barstow - Eight Hitchhiker Inscriptions from a Highway Railing at Barstow, California by Harry Partch, John Stannard, Danlee Mitchell, John McAllister, Michael Ranta, Linda Schell having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nike | Pauline Oliveros, Stuart Dempster, Panaiotis | C Major | 2 | 8B | 74 BPM | ||
| Let Us Go Into The House Of The Lord/Butterfly Sunday | Harold Budd | D♭ Major | 0 | 3B | 173 BPM | ||
| Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
| Bachianas Brasileiras No. 5, W389: I. Ária (Arr. for Theremin & Cello Ensemble) | Heitor Villa-Lobos, Clara Rockmore, Dorothy Lawson, Robert Burkhardt, Mairi Dorman-Phaneuf, Sara Hewitt-Roth, Ludmila Konstantinova, Jessie Reagen, Peter Sachon, Caroline Stinson | G Major | 0 | 9B | 73 BPM | ||
| In C: Part 01 | Terry Riley, Blindman Kwartet, Ictus | C Major | 2 | 8B | 129 BPM | ||
| Chico Alien | Marina Frescobaldi | E Major | 2 | 12B | 76 BPM | ||
| Music for Marcel Duchamp (1947) | John Cage, Stephen Drury | B♭ Minor | 0 | 3A | 109 BPM | ||
| Eleven Instrusions V: The Waterfall | Harry Partch, Bill Snead, Ben Johnston, Donald Pippin, Betty Johnston | F Major | 3 | 7B | 167 BPM | ||
| Unterwegs (for Roman) | Fred Frith | A Major | 2 | 11B | 82 BPM | ||
| The King Of Thailand, The Queen Of Stairs | John Lurie | B Minor | 1 | 10A | 83 BPM | ||
| The Sinking of the Titanic: 7. Opening Part II | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 0 | 4B | 73 BPM | ||
| Earth Seen from Above | Meredith Monk, Marc Shapiro, San Francisco Symphony Chorus, Vance George | A♭ Major | 0 | 4B | 70 BPM | ||
| Across the Lake of the Ancient World | Terry Riley | B Minor | 1 | 10A | 55 BPM | ||
| Holocaust In Memoriam, Symphony: I. Preludio, Pt. 3 (Live) | Maya Badian, Romanian National Radio Orchestra, Ludovic Bács | F♯ Minor | 3 | 11A | 80 BPM | ||
| Closeness | Saryed | D♭ Major | 9 | 3B | 84 BPM | ||
| Matas de coco | guusanita rd | E Minor | 3 | 9A | 110 BPM | ||
| Guitars Out of Control | Marina Frescobaldi | E♭ Major | 3 | 5B | 33 BPM | ||
| Ring Around the Moon. A Dance Fantasm for Here and Now Phase 1: Well, Bless My Soul! (Well, Bless My Soul!) | Harry Partch, Gate 5 Ensemble, Horace Schwartz | D Major | 1 | 10B | 85 BPM | ||
| Arc Descents | David Hykes, The Harmonic Choir | B♭ Major | 3 | 6B | 66 BPM | ||
| Sono Arrivate le Streghe | Marina Frescobaldi | D♭ Major | 2 | 3B | 35 BPM | ||
| Improbably Music | Roberto Musci | C Major | 3 | 8B | 123 BPM | ||
| Falling Machine | Miles Spread | B♭ Major | 3 | 6B | 89 BPM | ||
| Dance in the Moon | Friedrich Wilckens, Lydia Kavina, Joshua Pierce | F Minor | 0 | 4A | 98 BPM | ||
| Black Angels, Thirteen Images from the Dark Land, Departure: I. Threnody I "Night of the Electric Insects" | George Crumb, Quatuor Hanson | F Minor | 1 | 4A | 113 BPM | ||
| Partch in Prologue, Adapted Viola | Harry Partch | D♭ Major | 0 | 3B | 71 BPM |