Harry Partch's 'Partch in Prologue, Adapted Viola' had a release date set for 1969. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "The World of Harry Partch". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Partch in Prologue, Adapted Viola is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Partch in Prologue, Adapted Viola by Harry Partch having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rothko Chapel 3 | Morton Feldman | D♭ Major | 0 | 3B | 74 BPM | ||
| L'espace transcendant | Delphine Dora | D♭ Major | 0 | 3B | 72 BPM | ||
| Classique: Bidule et un | Pierre Henry, Pierre Schaeffer | D Major | 4 | 10B | 81 BPM | ||
| Stone Comb | Tomaga | D Major | 6 | 10B | 50 BPM | ||
| Nun Bitten Wir Den Heiligen Geist | Martien van der Knijff, Michael Pretorius | D Major | 0 | 10B | 104 BPM | ||
| Outbreak ETA - Para Voz, Violín, Violonchelo, Flauta, Clarinete y Piano | Juan M. A. Herrera, Jimmy Herrera, Federico Gariglio | G Minor | 3 | 6A | 126 BPM | ||
| Metastaseis | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | A Minor | 2 | 8A | 80 BPM | ||
| Movimientos 1 (para piano y voz) | Jimmy Herrera | C Major | 0 | 8B | 84 BPM | ||
| Olympos’ Pentatonic - Two Studies on Ancient Greek Scales | Harry Partch, Rody van Gemert | E♭ Major | 3 | 5B | 95 BPM | ||
| Holocaust In Memoriam, Symphony: I. Preludio, Pt. 1 (Live) | Maya Badian, Romanian National Radio Orchestra, Ludovic Bács | G Minor | 3 | 6A | 73 BPM | ||
| Eleven Instrusions VIII: Lover | Harry Partch, Bill Snead, Betty Johnston, Ben Johnston, Donald Pippin | C Minor | 1 | 5A | 119 BPM | ||
| Cambio de papeles. | mark | A♭ Minor | 3 | 1A | 180 BPM | ||
| Delusion of the Fury, Act I: Treats with Death and with Life Despite Death: Pray for Me | Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell | A Minor | 1 | 8A | 121 BPM | ||
| Revelations in the Courthouse Park, Scene 2, Hymn to Dionysus: Glory to the Male Womb | Harry Partch, Coryl Crandall, Joel Klein, Jeffrey Foote, Freda Pierce, John Bert, Elizabeth Hiller, Gate 5 Ensemble, John Garvey | B♭ Major | 2 | 6B | 121 BPM | ||
| Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Martin Fröst | G Major | 0 | 9B | 131 BPM | ||
| 僕は地球と歌う | HEART | G Major | 0 | 9B | 107 BPM | ||
| Something Wild in the City: Mary Ann's Theme (1960) for horn, celesta, and string Quartet | Morton Feldman, Ensemble Recherche | A Major | 0 | 11B | 94 BPM | ||
| Tree Trail | Moondog | G Minor | 6 | 6A | 81 BPM | ||
| Mio Jeone | Thelma | D Major | 2 | 10B | 107 BPM | ||
| Woman of Water and Music | Roberto Musci | D♭ Major | 3 | 3B | 172 BPM | ||
| Unterwegs (for Roman) | Fred Frith | A Major | 2 | 11B | 82 BPM | ||
| Gougalōn, Scenes from a Street Theatre: IV. Episode between Bottles and Cans - Definitive Version 2011 | Unsuk Chin, Ensemble Intercontemporain, Pierre Bleuse | D Major | 2 | 10B | 107 BPM | ||
| Morton Feldman: Madame Press Died Last Week At Ninety | Morton Feldman, John Adams, Orchestra of St. Luke's | A♭ Major | 0 | 4B | 69 BPM | ||
| Das Biotop im Traum und in der Wirklichkeit | Läuten der Seele | D♭ Major | 1 | 3B | 133 BPM | ||
| Spoils of War | Harry Partch | D♭ Major | 2 | 3B | 114 BPM |