Across the Wide Missouri - Instrumental by Traditional, Matthias Gohl, Molly Mason, Andy Stein, Jay Ungar Song Details

Traditional, Matthias Gohl, Molly Mason, Andy Stein, Jay Ungar's ' "Across the Wide Missouri - Instrumental" was released on its scheduled release date, August 1, 1996. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Across the Wide Missouri - Instrumental's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "THE WEST - Soundtrack". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. In terms of popularity, Across the Wide Missouri - Instrumental is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

BPM and Tempo

With Across the Wide Missouri - Instrumental by Traditional, Matthias Gohl, Molly Mason, Andy Stein, Jay Ungar having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

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Popularity: 10%
Loudness: -13.29 dB
Acousticness: 79%
Danceability: 32%
Energy: 16%
Instrumentalness: 15%
Liveness: 16%
Loudness: 78%
Speechiness: 3%
Valence: 40%

Recommendations

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Veni Consolatio	Gregorian Monk, Monks Of The Abbey Of Notre Dame, Cantori Gregoriani, Gregorian Chants	G Minor	2	6A	144 BPM
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To the Mothers in Brazil: Salve Regina	London Oriana Choir, Dominic Peckham	D♭ Minor	1	12A	126 BPM
Confitemini Domino, IAC 1	Alessandro Constantini, Pro Musica, Szabó Dénes	A Minor	1	8A	133 BPM
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Sancta Maria succure miseris	Francisco de Peñalosa, New York Polyphony	A Minor	3	8A	106 BPM
Agnus Dei	Samuel Barber, Seán Matthew Deibler, Choral Arts Society of Philadelphia, The Music Group of Philadelphia	B Major	2	1B	72 BPM
Lux Aurumque	Eric Whitacre, Johann van der Sandt, Singkronies Chamber Choir	D♭ Minor	0	12A	130 BPM
Song of Songs - Love's Promise	Patrick Hawes, Conventus, Elin Manahan Thomas, English Chamber Orchestra	C Major	2	8B	78 BPM
Glass Birds In Rain	Joseph R Dolan, Ghibli	A Minor	1	8A	136 BPM
Jesu, Joy Of A Man's Desiring - Prelude To Joy Album Version	Traditional, David Davidson	D Major	5	10B	98 BPM
Ottsje Nasj	Slavisch Byzantijns Koor Zwolle, Jaap van der Boon	D Major	2	10B	166 BPM
La Kanteletar: I. Herkä neito	Veljo Tormis, Mikrokosmos, Loïc Pierre	F♯ Major	0	2B	69 BPM
Celestial Reflections	Gregorian Chanting Monks, The Chanting Monk	E Minor	1	9A	79 BPM
Stella Natalis: II. Lullay	Karl Jenkins	C Major	0	8B	170 BPM
Vox aeterna Domini - Reparari Memoria	Schola Antiqua, Nova Schola Gregoriana, St. Peter St. Paul Cathedral Choir of Minsk, Institute of Christ the King Sovereign Priest	G Minor	2	6A	144 BPM
Cantiga de Santa Maria 300: Muito deveria ome sempr' a loar	Ensemble Discantus, Brigitte Lesne	A♭ Minor	1	1A	108 BPM