On 1992, the song "Le Shes Pati" was released by Kosindra, Rishi Pal. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Kosindra, Rishi Pal's "Hariyanvi Kissa Sati Sulochna" album is number 8 out of 15. On top of that, France appears to be the country where this track was created. Based on our statistics, Le Shes Pati's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Le Shes Pati by Kosindra, Rishi Pal to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pakad loo haath banwarii nahi to dub jayenge - Live | Kanhiya Mittal | A♭ Major | 6 | 4B | 106 BPM | ||
| Is Bare Me Lachar Hui | Mainpal Baseda, Satpal Dosa | G Minor | 10 | 6A | 125 BPM | ||
| Natni Nach Ke Dikhawe | Satpal Dosa, Mainpal Baseda | A♭ Major | 7 | 4B | 81 BPM | ||
| Ek Thikana | Kosindra, Rishi Pal | B♭ Major | 5 | 6B | 131 BPM | ||
| More Angna Mohinodin | Amjad Sabri | F♯ Major | 10 | 2B | 111 BPM | ||
| Arati Kije Shri Jambhguru Deva - Guru Jambheswar Bhagwan Ki Arti | Swami Sachchidanand Aacharya, Swami Sachchidanand Acharya | D♭ Major | 5 | 3B | 169 BPM | ||
| Arati Kije Shri Mha Vishnu Deva - Guru Jambheswar Bhagwan Ki Arti | Swami Sachchidanand Aacharya, Swami Sachchidanand Acharya | G Major | 5 | 9B | 171 BPM | ||
| Ek Aankh Marab Hole | Pawan, Pankaj | G Major | 4 | 9B | 185 BPM | ||
| Kaise Bajjar Ka Dil Dil Kara Tane Gayi Bhul Pyar Ma Bete Ne | Kosindra, Rishipal | B♭ Major | 5 | 6B | 131 BPM | ||
| Chamatkaar Katha | Kala Ram, Renu Kumar | A Major | 5 | 11B | 142 BPM | ||
| Khatiya Mat Tode Re - Hindi | Naresh Gurjar, Dinesh Gurjar | G Minor | 7 | 6A | 129 BPM | ||
| Kasht Haram Stuti | Vasanth Vijay Maharaj | D Major | 4 | 10B | 89 BPM | ||
| Tumse Na Bolu | Kanhiya Mittal | C Minor | 6 | 5A | 123 BPM | ||
| Main Girdhar Ki Girdhar Mero | Manish Chauhan | A♭ Major | 9 | 4B | 169 BPM | ||
| Kue Pe Lugaiya Dhore | Tarun Baliyan | E♭ Major | 9 | 5B | 139 BPM | ||
| Mere Anshu Pochkar Mujhe Gale Lagaiyega | Poonam Shastri Ji | D Major | 8 | 10B | 107 BPM | ||
| Chitrakoot Mein Divari Deepdan Mahima Bundeli Bhajan | Chandra Bhushan Pathak | D♭ Major | 8 | 3B | 139 BPM | ||
| Sivru Prtham Nit Tumko Ganesha | Bhajnanand Ji Maharaj | A♭ Minor | 7 | 1A | 78 BPM | ||
| Tu Agar Beneqab Ho Jaye | Nusrat Fateh Ali Khan | E♭ Major | 9 | 5B | 139 BPM | ||
| Chimta Nath Ka | Mukesh Sharma | A♭ Major | 9 | 4B | 99 BPM | ||
| Pati Hai Mero Neech Gawar | Brijesh Shastri | B Major | 6 | 1B | 103 BPM | ||
| Aakhri Do Bol Gori | Koshinder Khadana | F Minor | 7 | 4A | 146 BPM | ||
| Tere Tukdo Pe Palte Hai Khwaja Piya | Murad Atish | F♯ Major | 7 | 2B | 154 BPM | ||
| Kaye Baithe Mann Maare | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | E♭ Major | 7 | 5B | 148 BPM | ||
| Fida Hui Tere Husn Pe Puran | Koshinder Khadana | F♯ Major | 5 | 2B | 128 BPM |