Kosindra, Rishi Pal's ' "Ek Thikana" was released on its scheduled release date, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Kosindra, Rishi Pal's "Garib Ki Diwali" album is number 4 out of 13. On top of that, France appears to be the country where this track was created. Based on our statistics, Ek Thikana's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Ek Thikana by Kosindra, Rishi Pal to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mane Acha Lage Bhagwan - Jambheshwar Bhajan | Champa Lal Karir | E Minor | 8 | 9A | 181 BPM | ||
| Shyam Bansi Na | Sadhvi Poornima | A♭ Minor | 8 | 1A | 86 BPM | ||
| Meri Kuch To Shyam Majboori Hai | Rajni Rajasthani | D Major | 5 | 10B | 81 BPM | ||
| Nainan Ke Baan Chala Daye Ree | Deshraj Patairiya | A♭ Major | 3 | 4B | 155 BPM | ||
| Tamdau Hoge Ji - Best CG Song | Nilkamal Vaishnav | G Major | 5 | 9B | 90 BPM | ||
| Me To Hwa Hu | Dilip Gawaiya | A♭ Major | 6 | 4B | 113 BPM | ||
| Nand Baba Ke Angana Dekho Baj Rahi Badhai | Devi Chitralekhaji | E Major | 7 | 12B | 144 BPM | ||
| Bada Sunder Hai Maa Ka Bhawan | Lakhbir Singh Lakkha | A♭ Major | 7 | 4B | 120 BPM | ||
| Me Hindu Jagane Aya Hun | Ved Vyas | F♯ Major | 9 | 2B | 177 BPM | ||
| Khatiya Mat Tode Re - Hindi | Naresh Gurjar, Dinesh Gurjar | G Minor | 7 | 6A | 129 BPM | ||
| Par Nari Vish Ki Katar | Brijesh Shastri | F Major | 7 | 7B | 96 BPM | ||
| Moda Kyo Padhariya | Murlidhar Paudwal | E♭ Minor | 7 | 2A | 171 BPM | ||
| Duniya Mein Nahin Koi Yaar - Jhankar Beats | Hero And King Of Jhankar Studio, Lata Mangeshkar, Mohammed Rafi | F Major | 3 | 7B | 114 BPM | ||
| Madoghad Ki Ladae (Pt. 2) | Surjan chaitanya | E♭ Minor | 7 | 2A | 141 BPM | ||
| Raja Aaja Aab Aaja | Arvind Singh Abhiyanta, Kamalwas Kuwar Vyas | F♯ Major | 8 | 2B | 156 BPM | ||
| Prem To Jabhi Mil Skta Part 4 | Swami Aadhar Chaitanya | A♭ Minor | 5 | 1A | 94 BPM | ||
| Hara Hu Baba Par Tujhpe Bharosa Hai | Adhistha, Anushka | F♯ Minor | 7 | 11A | 107 BPM | ||
| Kategi Kaise | Kosindra, Rishi Pal | F♯ Major | 5 | 2B | 148 BPM | ||
| Hungama Hai Kyon | Ghulam Ali | D♭ Major | 4 | 3B | 110 BPM | ||
| Biriyagad Sangram (Part-1) | Surjan chaitanya | A Major | 7 | 11B | 98 BPM | ||
| Kandi Re Luve | Mamta Chandrakar, Kuleshwar Tamrakar | C Minor | 3 | 5A | 125 BPM | ||
| Leele Ghode Ka Asawar | Lakhbir Singh Lakkha | D♭ Major | 8 | 3B | 95 BPM | ||
| Radhe Radhe Japo Chale Aayenge Bihari | Maithili Thakur | B♭ Minor | 8 | 3A | 116 BPM | ||
| Lakha Banjare Ki Diwani | Premchandra Shastri | B♭ Minor | 7 | 3A | 106 BPM | ||
| Rah Na Pata Seth | Satpal Dausa | A Minor | 7 | 8A | 126 BPM |