On 1992, the song "Kategi Kaise" was released by Kosindra, Rishi Pal. This song is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The track order of this song in Kosindra, Rishi Pal's "Hariyanvi Kissa Sati Sulochna" album is number 2 out of 15. On top of that, France appears to be the country where this track was created. Based on our statistics, Kategi Kaise's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Kategi Kaise by Kosindra, Rishi Pal to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kissa Dahej Ki Aag - Mat Na Jindi Mein Aag Lagao | Tarun Baliyan | A♭ Major | 9 | 4B | 140 BPM | ||
| Kaye Baithe Mann Maare | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | E♭ Major | 7 | 5B | 148 BPM | ||
| Lavarji | Langas, Manganiars | B Minor | 5 | 10A | 151 BPM | ||
| Ano Jesane Ri Dham | Prakash Mali | F♯ Major | 9 | 2B | 172 BPM | ||
| Pahuncha De Saiya Mayke Bundeli | Malti Singh Parmar, Deshraj Patairiya | E♭ Major | 8 | 5B | 80 BPM | ||
| Dada Nahar Singh Ki Paidi | Ashu Verma | G Minor | 9 | 6A | 157 BPM | ||
| Jhirmir barse meh | Kheta Khan | F Minor | 7 | 4A | 126 BPM | ||
| Bhira Ramdev Re Bai Ne Ekar | Rajkumar Swami | A Major | 8 | 11B | 102 BPM | ||
| Heere Jane Wali Ruk Jaiye Jara | Koshinder Rishipal | A♭ Minor | 6 | 1A | 149 BPM | ||
| Inder Ki To Bat Kiya | Mainpal Baseda, Satpal Dosa | E♭ Minor | 6 | 2A | 85 BPM | ||
| Chalo Re Mann Shri Vrindavan Dham (Live Session) | Devi Chitralekhaji | A♭ Major | 7 | 4B | 134 BPM | ||
| Jahaj Ka - Version 2 | Kosindra, Rishi Pal, Santhosh | B♭ Major | 6 | 6B | 145 BPM | ||
| Yalkot Yalkot Jai Malhar | SAI BODGESHWAR | D♭ Major | 8 | 3B | 147 BPM | ||
| Aakhri Do Bol Gori | Koshinder Khadana | F Minor | 7 | 4A | 146 BPM | ||
| Tamdau Hoge Ji - Best CG Song | Nilkamal Vaishnav | G Major | 5 | 9B | 90 BPM | ||
| Jiji Mero Balam Chalave Gadi - Hindi | Naresh Gurjar, Dinesh Gurjar | F Minor | 7 | 4A | 139 BPM | ||
| Radhika Gouri Se | Manish Tiwari | A♭ Major | 7 | 4B | 83 BPM | ||
| M Chela Gorakh Nath Ka | Sumit Kalanaur | F Major | 6 | 7B | 170 BPM | ||
| Ambe Ambe Kab Se Pukarun | Lakhbir Singh Lakkha | D♭ Major | 7 | 3B | 89 BPM | ||
| Jai Ho Haridwar Mein Bum Bum | Ram Kumar Lakkha | B Major | 8 | 1B | 100 BPM | ||
| Udd Jayega Ek Din Panchi | Anand Shinde | F♯ Major | 8 | 2B | 112 BPM | ||
| Aaj Angan Gajanand Aaye | Devendra Pandit | F♯ Major | 6 | 2B | 158 BPM | ||
| Bundeli Saiya Ladiyo Nahi Chunao Chaahe Sautaniya Le Aao | Kamla Rajput, Deshraj Patairiya | F Minor | 5 | 4A | 79 BPM | ||
| Kagaj Ki Sakal - Version 1 | Kosindra, Rishi Pal | F Minor | 7 | 4A | 136 BPM | ||
| Mili Hai Mohe Tagdi Nari | Brijesh Shastri | B♭ Minor | 5 | 3A | 112 BPM |