On 1991, the song "Kagaj Ki Sakal - Version 1" was released by Kosindra, Rishi Pal. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Kosindra, Rishi Pal's "Hariyanvi Kissa Chand Kiran" album is number 4 out of 15. On top of that, France appears to be the country where this track was created. Based on our statistics, Kagaj Ki Sakal - Version 1's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kagaj Ki Sakal - Version 1 by Kosindra, Rishi Pal to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kissa - Mahabharat Aaj Karn Bane Hai Senapati | Komal Choudhary, Tarun Baliyan | F Major | 10 | 7B | 128 BPM | ||
| Bhar De Jholi Khada Mein | Ramavtar Sharma | F♯ Major | 9 | 2B | 119 BPM | ||
| Jahaj Ka - Version 2 | Kosindra, Rishi Pal, Santhosh | B♭ Major | 6 | 6B | 145 BPM | ||
| Tu Agar Beneqab Ho Jaye | Nusrat Fateh Ali Khan | E♭ Major | 9 | 5B | 139 BPM | ||
| Heere Jane Wali Ruk Jaiye Jara | Koshinder Rishipal | A♭ Minor | 6 | 1A | 149 BPM | ||
| Zumenge Gajal | Ramkhilawan | F Minor | 7 | 4A | 161 BPM | ||
| M Chela Gorakh Nath Ka | Sumit Kalanaur | F Major | 6 | 7B | 170 BPM | ||
| Bajarang Bala Japu Thari Mala | Pradeep Parul Ji | A Major | 8 | 11B | 107 BPM | ||
| Gire Na Abhe Dudh Ke Daant | Deshraj Narvariya | F♯ Major | 10 | 2B | 128 BPM | ||
| Paunahari Tere Darshan Jo | Pola Ram Dhangwal, Anuradha Paudwal, Anjali, Urmila | G Major | 4 | 9B | 69 BPM | ||
| Naihar Jaat Bani | Khesari Lal Yadav | B♭ Major | 10 | 6B | 154 BPM | ||
| Prem To Jabhi Mil Skta Part 4 | Swami Aadhar Chaitanya | A♭ Minor | 5 | 1A | 94 BPM | ||
| Sarvar Pani Ne Chali Maa | Ramniwas Rao | A♭ Minor | 8 | 1A | 132 BPM | ||
| You Are Great Bhola | Lakhbir Singh Lakkha | E♭ Major | 7 | 5B | 110 BPM | ||
| Kajrare Tere Mote - Mote | Baba Rasika Pagal | F♯ Major | 7 | 2B | 170 BPM | ||
| Phool Aur Bel Patra | Lakhbir Singh Lakkha | A♭ Minor | 5 | 1A | 154 BPM | ||
| Awea Se Ghani Yad | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | E Major | 7 | 12B | 142 BPM | ||
| Aakhri Do Bol Gori | Koshinder Khadana | F Minor | 7 | 4A | 146 BPM | ||
| Ano Jesane Ri Dham | Prakash Mali | F♯ Major | 9 | 2B | 172 BPM | ||
| Ek Din Wo Bhole Bhandari | Pandit Gaurangi Gauri Ji | C Minor | 9 | 5A | 105 BPM | ||
| Kaal Kukadi | Tapsiram Rathod, Kamla Rathod | D♭ Major | 10 | 3B | 112 BPM | ||
| Biriyagad Sangram (Part-1) | Surjan chaitanya | A Major | 7 | 11B | 98 BPM | ||
| Hungama Hai Kyon | Ghulam Ali | D♭ Major | 4 | 3B | 110 BPM | ||
| AAYA BABA TERA SAWAN MAHINA | Ashu Verma | D Major | 8 | 10B | 145 BPM | ||
| Bhagat Singh - Version 2 | Kosindra, Rishi Pal | A Minor | 7 | 8A | 124 BPM |