On January 8, 1999, the song "Hathi Ke Daant Aisan Daant Ho - Gaari" was released by Anuradha Krishan Rastogi, Ranjna Mishra, Priyanka Mishra. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Hathi Ke Daant Aisan Daant Ho - Gaari's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Anuradha Krishan Rastogi, Ranjna Mishra, Priyanka Mishra's "Hathi Hathi Shor Kaile" album is number 8 out of 18. On top of that, India appears to be the country where this track was created. In terms of popularity, Hathi Ke Daant Aisan Daant Ho - Gaari is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Hathi Ke Daant Aisan Daant Ho - Gaari by Anuradha Krishan Rastogi, Ranjna Mishra, Priyanka Mishra to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chhapi Da Ye Nando Kamar Par Haradiya | Karina Pandey, Sovita Pandey | A♭ Minor | 6 | 1A | 140 BPM | ||
| Aaj Tera Jagrata Mata | Lakhbir Singh Lakkha | F Minor | 10 | 4A | 98 BPM | ||
| Dware Mela Lago Maang Lo Vardan | Sanjo Baghel | G Minor | 8 | 6A | 134 BPM | ||
| Bheemacha Paksh Paahije | Anand Shinde | F♯ Major | 6 | 2B | 151 BPM | ||
| Sendur Bangal Ke | Sharda Sinha | A♭ Major | 6 | 4B | 155 BPM | ||
| Daran De Na Wo | Jiya Rani | A Major | 10 | 11B | 110 BPM | ||
| Hajaro Hathi Pir Tari Jan Maa | Hitesh Prajapati | C Major | 7 | 8B | 187 BPM | ||
| Natavila Sonyane | Milind Shinde | D♭ Major | 5 | 3B | 98 BPM | ||
| Bheru Ji Puchhe Mata Ji Ne Has Has Bata | Balveer Ranveer Joda Bhai | F♯ Minor | 9 | 11A | 120 BPM | ||
| Guru Gorakh Aaye | Kala Ram, Renu Kumar | F♯ Minor | 10 | 11A | 98 BPM | ||
| Mithe Ras Se Bharo | Indresh Upadhyay | G Major | 4 | 9B | 161 BPM | ||
| Sanwara Suratiya | Sharda Sinha | A♭ Major | 6 | 4B | 144 BPM | ||
| Talariya Magariya | Seema Mishra | F♯ Major | 5 | 2B | 88 BPM | ||
| Hari Ka Dhyan Laga Man Mere | Mohammed Rafi | A Minor | 6 | 8A | 124 BPM | ||
| Gufa Suhani Beech Bhawani Maa | Maithili Thakur | B♭ Major | 8 | 6B | 125 BPM | ||
| Timasail Hitriyaan | Heera Singh Rana | F♯ Major | 6 | 2B | 155 BPM | ||
| Ea Bia Paas Padal - Dulha Parichan | Anuradha Krishan Rastogi, Ankita Rastogi, Laxvi Rastogi, Kiran Rastogi, Sunita Rastogi | G Major | 7 | 9B | 105 BPM | ||
| Aarti Ho Rahi Re | Sanjo Baghel | F Minor | 5 | 4A | 120 BPM | ||
| Dulha Bane Hai Mahakal Raja | Gajendra Pratap Singh | E Major | 7 | 12B | 105 BPM | ||
| Vadha Tera Darbar | Sant Niranjan Singh Ji | E Major | 7 | 12B | 130 BPM | ||
| Bhaje Mon Aapana Aapani Keho Naai | Pratima Barua (Pande) | E Major | 6 | 12B | 85 BPM | ||
| Kabhi Ram Banke Kabhi Shyam Banke | Tripti Shakya | B Major | 8 | 1B | 165 BPM | ||
| Aavadte Belache Pan | Nagesh Morvekar | B Major | 7 | 1B | 115 BPM | ||
| Panihari | Kohinoor Langa | F Major | 8 | 7B | 168 BPM | ||
| Loki Khouray Pee Kay Kiwen | Sardool Sikander | B♭ Major | 5 | 6B | 117 BPM |