James Newton Howard's 'Arthur & Henry' had a release date set for January 1, 2007. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Arthur & Henry's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in James Newton Howard's "Michael Clayton" album is number 8 out of 13. On top of that, United States appears to be the country where this track was created. Arthur & Henry is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Arthur & Henry by James Newton Howard to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Real Fright | Kevin Smuts | D Minor | 1 | 7A | 92 BPM | ||
| From Pollution to Poison | Armand Amar | A♭ Minor | 4 | 1A | 130 BPM | ||
| The Story Is Told | Roque Baños | A♭ Major | 0 | 4B | 92 BPM | ||
| Bracelet | Peter Raeburn | A Minor | 1 | 8A | 111 BPM | ||
| Leaving Nome | Mark Isham | A Major | 1 | 11B | 142 BPM | ||
| Keep On Walking | Burkhard Dallwitz | D Major | 1 | 10B | 170 BPM | ||
| The Turing Test | Ben Salisbury, Geoff Barrow | D♭ Major | 0 | 3B | 139 BPM | ||
| Arthur & Henry | James Newton Howard | A♭ Major | 0 | 4B | 73 BPM | ||
| A Devastating Impact | Steven Price | E Major | 1 | 12B | 64 BPM | ||
| Walkie Talkie | Marco Beltrami, Brandon Roberts | E Minor | 1 | 9A | 89 BPM | ||
| Alex & Sanni | Marco Beltrami | B Minor | 9 | 10A | 130 BPM | ||
| Until We Meet Again | Ashraf El Ziftawi, Ashraf Elziftawi | C Minor | 2 | 5A | 100 BPM | ||
| Marion Looks for Rob | Joseph Trapanese | G Major | 0 | 9B | 67 BPM | ||
| The Call | Dario Marianelli | B Major | 1 | 1B | 74 BPM | ||
| Dolce Affetto | Elena Vesova | A Minor | 0 | 8A | 67 BPM | ||
| The Surgery (X-Files: I Want To Believe OST) | Mark Snow | A Minor | 2 | 8A | 68 BPM | ||
| Follow what feels true, not forced | Subtle Signal | E Minor | 1 | 9A | 129 BPM | ||
| March 13 Attempt | John Ottman | C Major | 1 | 8B | 142 BPM | ||
| Teflon Corner | Marco Beltrami | G Minor | 3 | 6A | 156 BPM | ||
| Will's Confession | David Julyan | B Minor | 0 | 10A | 101 BPM | ||
| New Century | Nicholas Britell | F Major | 2 | 7B | 107 BPM | ||
| Tram at Dawn | Nico Muhly | G Minor | 2 | 6A | 60 BPM | ||
| First Hurdle Down | Martin Phipps | A♭ Minor | 2 | 1A | 108 BPM | ||
| ISS | Steven Price | A♭ Minor | 1 | 1A | 72 BPM | ||
| Visions and Arrest | Bear McCreary | C Major | 0 | 8B | 86 BPM |