On December 26, 2000, the song "Saiya Ke Pakar Ke Sutal" was released by Tara Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 8 in Choosla Pa Meeth Lagela by Tara Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Saiya Ke Pakar Ke Sutal's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Saiya Ke Pakar Ke Sutal by Tara Rani is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Janni Nithoor Bisrayih Na Lalanwa | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Mitran Ton Reh Bachke | Balkar Ankhila, Manjinder Gulshan | B♭ Minor | 10 | 3A | 120 BPM | ||
| Bam Bhola-Bam Bhola | Manish Tiwari | F♯ Minor | 9 | 11A | 167 BPM | ||
| Dekh Kar Ram Ji Ko | Pawan Singh | B♭ Minor | 8 | 3A | 77 BPM | ||
| Laagta Bhula Gayilu | MANOJ TIWARI | F♯ Minor | 6 | 11A | 156 BPM | ||
| Tur Chali Jindriye | Amar Singh Chamkila | D Major | 7 | 10B | 163 BPM | ||
| Mehandi Rang Lago | Ray Chand, Champa Methi | C Major | 9 | 8B | 100 BPM | ||
| Sajan Chale Sasuraal | Indu Sonali, Anamika Singh | B Minor | 8 | 10A | 146 BPM | ||
| Maa Ka Naam Japle | Lakhbir Singh Lakkha | B♭ Major | 7 | 6B | 89 BPM | ||
| Mere Jaisa Ladaka Dekha | Jaysingh raja, Doli Rajpoot | F♯ Major | 5 | 2B | 176 BPM | ||
| Hanuman Tumhara Kya Kehna | Lakhbir Singh Lakkha | B♭ Major | 6 | 6B | 113 BPM | ||
| Mere Sir Par Sada Tera Hath Rahe | Adhishta Anushka | C Major | 10 | 8B | 145 BPM | ||
| Buddhach He Ghar | Milind Shinde | A♭ Major | 4 | 4B | 92 BPM | ||
| Kut Kut Bajra Main | Surinder Kaur, Prakash Kaur | D♭ Major | 4 | 3B | 85 BPM | ||
| Jhala Anand Khara | Prahlad Shinde | A♭ Major | 7 | 4B | 113 BPM | ||
| Seena Na Topab | Tara Rani | C Major | 5 | 8B | 134 BPM | ||
| Mere Dil Pe Likh Diya Naam | Bhaal Singh | G Major | 6 | 9B | 144 BPM | ||
| MERI CHOTI SI HAI NAAV TERE JADU BHARE PAAV | Bhagwat Suthar | F Major | 6 | 7B | 89 BPM | ||
| Satguru Pyar Di Gallan, Dera Sacha Sauda | Rehmat Records | F♯ Major | 7 | 2B | 103 BPM | ||
| Lusku Lusa Gali Re | Umakanta Barik, RABI RATNA BAG | B♭ Minor | 10 | 3A | 87 BPM | ||
| Kadak Laxmi Aali | Ravindra Sathe | G Major | 8 | 9B | 91 BPM | ||
| Yedabai Ladachi Ladachi | Gajarabai Bhumbe | B♭ Minor | 8 | 3A | 129 BPM | ||
| Uthau Suruj Bhaile Bihaan | Sharda Sinha | D♭ Major | 5 | 3B | 78 BPM | ||
| Thumka Lagake Naacho | Sonu Nigam, Vinod Rathod, Sanjivani | C Minor | 4 | 5A | 113 BPM | ||
| Chhad De Gali Chon | Mohammad Sadik, Ranjit Kaur | F♯ Major | 5 | 2B | 179 BPM |