"Toota Hua" by Rajesh Pawar had its release date on September 19, 2024. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Toota Hua's duration is considered a little bit shorter than the average duration of a typical track. Since Toota Hua only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. Toota Hua is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Toota Hua by Rajesh Pawar having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sharan Pada Hoon | Rajni Rajasthani | B Major | 6 | 1B | 94 BPM | ||
| Andha Khora Boba | Manna Dey | B♭ Major | 8 | 6B | 92 BPM | ||
| Baikunth Wala Brij Wala Ho Gaya | Devi Chitralekhaji | D♭ Minor | 6 | 12A | 129 BPM | ||
| Marudhar Ri Dhrti Par Midar Baniyo Bhari | Prakash Mali, Mahendra Singh, Daksha Prajapati | G Major | 8 | 9B | 98 BPM | ||
| Ek Jholi Me Phool Bhare Hai | Paras Jain | F♯ Major | 8 | 2B | 82 BPM | ||
| Radhe Krishna Ki Jyoti | Soumya Pandey | A♭ Major | 5 | 4B | 184 BPM | ||
| O Vishwapati Tara Vishvase -Trupti Dave | Studio Avsar | B♭ Minor | 6 | 3A | 148 BPM | ||
| Sarangpur Na Dev Enu Kashtbhanjan Che Naam | Lalita Ghodadra, Arvind Barot | A♭ Major | 6 | 4B | 173 BPM | ||
| Suna Hai Ramayan Mein | Shahid Mallya, Sana Mallya, Kiran Sachdev | F♯ Major | 6 | 2B | 92 BPM | ||
| Ganesh Pat Besadiye | Pankaj Panchal | F Minor | 6 | 4A | 102 BPM | ||
| Bane Dulha Chabi Dekho Bhagwan Ki Bundeli Vivah Gari | Urmila Pandey | D♭ Major | 7 | 3B | 158 BPM | ||
| Aai Jaynti Sevalal | Rajesh Pawar | B♭ Minor | 8 | 3A | 137 BPM | ||
| Shreeji Maharaj Magu | Anoopam Mission, Mihir Patel | F Minor | 2 | 4A | 112 BPM | ||
| Sammed Shikhar Ki Aarti | Rajendra Jain | G Major | 7 | 9B | 78 BPM | ||
| Tame Bhave Bhajilo Bhagwan | Gyanjeevan Das | A♭ Major | 5 | 4B | 105 BPM | ||
| Ram Na Vicharo Mare | Kiran Prajapati | B♭ Minor | 7 | 3A | 147 BPM | ||
| Natwar Nagar Nanda | Kumar Vishu | D♭ Minor | 8 | 12A | 110 BPM | ||
| Mamosa Bai Ka Sewara - Sewara | Supriya | A♭ Minor | 7 | 1A | 162 BPM | ||
| मेरी झोपड़ी के भाग आज खुल जाएंगे राम आयेंगे | Shubhangi Joshi | F♯ Major | 8 | 2B | 80 BPM | ||
| He Ram Japdai Timro | Bala Bhattarai | F Major | 5 | 7B | 81 BPM | ||
| Hey Gopal Krishna Karu Aarti Teri | Sheetal Arya | D♭ Minor | 4 | 12A | 142 BPM | ||
| Andhakar man ka mite | Brahma Kumaris | E Major | 5 | 12B | 142 BPM | ||
| Mera Tera Manwa Kaise | Madan Gopal | G Minor | 5 | 6A | 87 BPM | ||
| Ak Kungadi | Sunil Rana, Rekha | B♭ Major | 6 | 6B | 108 BPM | ||
| Jalathal Nabh | Samir Date, Dipalee Date | F Minor | 6 | 4A | 86 BPM |