On 2010, the song "Sammed Shikhar Ki Aarti" was released by Rajendra Jain. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Rajendra Jain's "Jain Aarti Sangrah" album is number 7 out of 11. On top of that, France appears to be the country where this track was created. Sammed Shikhar Ki Aarti is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Sammed Shikhar Ki Aarti by Rajendra Jain to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Baso Mere Nainan Mein Nandlal | Susmita Das | C Minor | 6 | 5A | 152 BPM | ||
| Sammed Shikhar Ki Aarti | Rajendra Jain | G Major | 7 | 9B | 78 BPM | ||
| Sohang Ram Ram | Dhun | Santram Dhun | Hari cassettes | E♭ Minor | 8 | 2A | 80 BPM | ||
| Khadi Hu Dar Mai Bhole Chadau Kya Tumhe Bhole | Chanchal Prajapati | D♭ Major | 9 | 3B | 120 BPM | ||
| Mere Jeevan Ke Rang Mere Sai Ratan | Paras Jain | B♭ Major | 6 | 6B | 137 BPM | ||
| Mera Aapki Kripa Se Sab Kaam Ho Raha Hai | Paras Jain | F♯ Major | 7 | 2B | 80 BPM | ||
| Anant Koti Brahmand Nayak | Rakesh Singh | C Major | 7 | 8B | 200 BPM | ||
| Maala Phere Te Ram Ram Kare Bhilni | Sher Singh | G Minor | 7 | 6A | 87 BPM | ||
| Shiva Ghuchao Amar Moner Brahm | Ramakrishna Math, Swami Kripakarananda | D Minor | 6 | 7A | 104 BPM | ||
| Achyutam Keshavam | Anil Hanslas | F♯ Minor | 7 | 11A | 89 BPM | ||
| Arihanto Ko Namaskar | Chandana Sen Gupt | E Major | 6 | 12B | 85 BPM | ||
| Nazro Ko Deedar Tumara Na Hua | Vinod Agarwal Ji | F Minor | 5 | 4A | 109 BPM | ||
| Saawariya Mithi Mithi Baje Madhur Teri Bansuriya | Shridhay Shri Mridul krishna shastri ji maharaj | C Major | 8 | 8B | 115 BPM | ||
| Maiya Ki Khel Rahi | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Chait Mein Ram Janm Tithi Naumi | Kamla Shrivastav | E♭ Minor | 6 | 2A | 169 BPM | ||
| Bhaye Pragat Kripala | Anil Pathak | F Minor | 8 | 4A | 80 BPM | ||
| Sumar Chalo doi biriyan re (Bambuliyan) | Rakesh Tiwari | D♭ Major | 9 | 3B | 151 BPM | ||
| Aarti Laxmi Maata | Pramita | G Minor | 6 | 6A | 99 BPM | ||
| Namokar Mantra | Rajendra Jain, Hemanti Sukla | A♭ Major | 3 | 4B | 104 BPM | ||
| Sunder Kand Ka Part Karo | Ranjeet Raja | B♭ Major | 9 | 6B | 130 BPM | ||
| Mata Ji Sanu Daras Deyo | Anil Hanslas | F♯ Major | 8 | 2B | 142 BPM | ||
| Ak Kungadi | Sunil Rana, Rekha | B♭ Major | 6 | 6B | 108 BPM | ||
| Rai Ki Burai Kou Kariyo Ne Bhai | Deshraj Narwariya | E♭ Minor | 7 | 2A | 131 BPM | ||
| Picham Dhara Su Mara Peer Ji Padhariya | Moinudin Manchala | F Minor | 7 | 4A | 98 BPM | ||
| Mera Bajarang Sote Wala | Manish Tiwari | D♭ Major | 5 | 3B | 93 BPM |