- BPM
- 105
- Key
- F♯ Major
- Camelot
- 2B
Do You Still Love Me - Sped Up + Reverb by sped up and slowed down, Amuzement Park Song Details
On January 1, 1982, the song "Do You Still Love Me - Sped Up + Reverb" was released by sped up and slowed down, Amuzement Park. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 3 in Do You Still Love Me (Slowed + Sped up + Reverb) by sped up and slowed down, Amuzement Park. In terms of popularity, Do You Still Love Me - Sped Up + Reverb is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
The tempo marking of Do You Still Love Me - Sped Up + Reverb by sped up and slowed down, Amuzement Park is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -26.346 dB
- Acousticness
- 67%
- Danceability
- 67%
- Energy
- 29%
- Instrumentalness
- 48%
- Liveness
- 7%
- Loudness
- 56%
- Speechiness
- 3%
- Valence
- 88%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 65 BPM | |
 | Company: IV. - | Philip Glass, Ulster Orchestra, Takuo Yuasa | A Minor | 0 | 8A | 158 BPM | |
 | Three Visions: II. Summerland | William Grant Still, Natalie Hinderas | G Major | 0 | 9B | 68 BPM | |
 | Satie / Orch. Ducros: Gymnopédie No. 1 | Erik Satie, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | G Minor | 0 | 6A | 170 BPM | |
 | Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | |
 | Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 96 BPM | |
 | Piano Sonata No.14 In C Sharp Minor Op.27/2 - 1st Movement: Moonlight | Berlin Symphonic Orchestra | D♭ Minor | 0 | 12A | 72 BPM | |
 | Joe - Sped up + Reverb | sped up and slowed down, Hyla Parker | G Major | 8 | 9B | 112 BPM | |
 | Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | |
 | 3 Gnossiennes: Avec etonnement | Erik Satie, Klara Kormendi | C Major | 1 | 8B | 99 BPM | |
 | Come On In This House | sped up and slowed down, Byther Smith | E Major | 6 | 12B | 103 BPM | |
 | Intermezzo No. 2 in B-Flat Minor, Op. 117 - Andante non troppo e con molta espressione - Remastered | Johannes Brahms, Glenn Gould | B♭ Minor | 0 | 3A | 203 BPM | |
 | Fly Robin Fly - Slowed + Reverb | sped up and slowed down, Silver Convention | D Major | 6 | 10B | 79 BPM | |
 | Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | |
 | Violin Sonata in A major, FWV 8: I. Allegretto ben moderato | César Franck, Joshua Bell, Jeremy Denk | A Major | 0 | 11B | 66 BPM | |
 | Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | |
 | Respighi Notturno | Roberto Plano | F♯ Major | 0 | 2B | 62 BPM | |
 | Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne | Camille Saint-Saëns, Güher Pekinel, Éric Levionnais, Süher Pekinel | E♭ Major | 1 | 5B | 82 BPM | |
 | Cavatina | Craig Ogden | E Major | 1 | 12B | 79 BPM | |
 | Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Richard Stamp, Anton Nel, Keith Snell, Academy Of London | A Minor | 0 | 8A | 91 BPM | |
 | Kreisleriana, Op. 16: No. 1, Ausserst bewegt | Robert Schumann, Laurent Cabasso | B♭ Major | 1 | 6B | 82 BPM | |
 | Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Stephen Kovacevich | A♭ Major | 0 | 4B | 126 BPM | |
 | Suite Bergamasque: III. Clair de Lune | Peter Schmalfuss | D♭ Major | 0 | 3B | 130 BPM | |
 | 7 Preludes, Op. 17: No. 3 in D-Flat Major | Alexander Scriabin, Maria Lettberg | B Major | 0 | 1B | 72 BPM | |
 | Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM |
- ISRC
- QZP7F2411761
- Label
- L-M Records/RCA Records