"Piangero, Piangero from Julius Ceasar" by George Frideric Handel, Stephen Taylor, Richard Kapp, Philharmonia Virtuosi of New York had its release date on 1960. This song is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. There are a total of 25 in the song's album "The Handel Collection". In this album, this song's track order is #16. Piangero, Piangero from Julius Ceasar is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piangero, Piangero from Julius Ceasar by George Frideric Handel, Stephen Taylor, Richard Kapp, Philharmonia Virtuosi of New York having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto pour hautbois: Adagio | Benedetto Marcello, Orchestre Paul Kuentz, Chantal Perrier-Layec, Monique Frasca-Colombier, Régis Manceau, Gildas Prado | D Minor | 1 | 7A | 64 BPM | ||
| Symphony No. 3 in C Major, Op. 2, "the Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 82 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 65 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 4 : II. Adagio | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Quido Holbling, Anna Holbling, Capella Istropolitana | B Minor | 0 | 10A | 142 BPM | ||
| Oboe Concerto in A Major (arr. J. Barbirolli): I. Preludio | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 82 BPM | ||
| Schwanenlied | Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli | G Minor | 1 | 6A | 143 BPM | ||
| Handel: Water Music Suite No. 3, HWV 350: I. Lento (Ed. Boyling) | George Frideric Handel, Yehudi Menuhin, Bath Festival Orchestra | D Major | 1 | 10B | 85 BPM | ||
| Rameau : Hippolyte et Aricie : Overture | Jean-Philippe Rameau, William Christie, Les Arts Florissants | C Major | 2 | 8B | 161 BPM | ||
| Schubert: String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": II. Theme - | Franz Schubert, vision string quartet | G Minor | 0 | 6A | 131 BPM | ||
| Symphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolce | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 84 BPM | ||
| Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Nikolaus Harnoncourt, Berliner Philharmoniker | C Minor | 0 | 5A | 175 BPM | ||
| Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro | Georg Philipp Telemann, Boris Begelman | F♯ Major | 4 | 2B | 116 BPM | ||
| Idylle sur la paix: Air pour Madame la Dauphine | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 3 | 1A | 139 BPM | ||
| Minuet in G Major, BWV Anh. 114 – Minuet in G Minor, BWV Anh. 115 (Formerly Attrib. Bach) | Christian Petzold, Mahan Esfahani | B♭ Minor | 0 | 3A | 89 BPM | ||
| Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
| Eternal Source of Light Divine (From "Ode for the Birthday of Queen Anne, HWV 74") | George Frideric Handel, Wynton Marsalis, Kathleen Battle, John Nelson, Anthony Newman, John Feeney, Daire Fitzgerald, Orchestra of St. Luke's | C Major | 1 | 8B | 65 BPM | ||
| Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | ||
| Mendelssohn: String Octet in E-Flat Major, Op. 20, MWV R20: III. Scherzo. Allegro leggierissimo | Felix Mendelssohn, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 123 BPM | ||
| Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
| Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet | Georg Philipp Telemann, New London Consort, Philip Pickett | F♯ Major | 1 | 2B | 131 BPM | ||
| Symphony No. 5 in D Major: 1. Allegro ma non troppo - Allegro assai | William Boyce, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 131 BPM | ||
| Overture in D Minor, TWV 55:2: Rondeau | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | D Minor | 1 | 7A | 83 BPM | ||
| Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
| Les Boréades / Act IV: Entrée de Polymnie - Live | Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski | G Major | 1 | 9B | 94 BPM | ||
| Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM |