Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland's 'Raymonda, Act III: Variation for male dancer' had a release date set for November 30, 2021. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Raymonda (Highlights)". In this album, this song's track order is #9. Raymonda, Act III: Variation for male dancer is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Raymonda, Act III: Variation for male dancer by Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carry on Camping - suite: Main Titles | Eric Rogers, The City of Prague Philharmonic Orchestra, Gavin Sutherland | D♭ Major | 4 | 3B | 117 BPM | ||
| 8 Slavonic Dances, Op. 72, B. 147: 4. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic, Jiří Bělohlávek | D♭ Major | 1 | 3B | 173 BPM | ||
| Aus aller Herren Landern (From Foreign Lands), Op. 23: VI.Hungarian: Molto allegro | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | D Major | 4 | 10B | 141 BPM | ||
| Dans les bois, Polka-mazurka, Op. 119 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 1 | 10B | 115 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
| Peter and the Wolf, Op. 67: The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
| La Sylphide: Act I: Overture | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | E Major | 1 | 12B | 132 BPM | ||
| Cinderella Suite No. 1, Op. 107: I. Introduction | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | C Major | 2 | 8B | 114 BPM | ||
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
| Gayane Suite No. 3: II. Dance of the Comrades | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D♭ Major | 4 | 3B | 106 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| Act III. Neopolitan dance | Moscow New Philharmonic Orchestra, Vladimir Ponkin | D Major | 3 | 10B | 143 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 81 BPM | ||
| Hungarian Dance No.1 in G minor - Orchestrated by Brahms: Allegro molto | Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 65 BPM | ||
| Raymonda, Act II: Variation 4 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Major | 0 | 7B | 127 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: Finale (extract) | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 4 | 6B | 79 BPM | ||
| Thespis: No. 3 Valse | Arthur Sullivan, RTE Concert Orchestra, Andrew Penny | G Major | 0 | 9B | 87 BPM | ||
| Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | ||
| Inocente Galindo | Zarahuato | E♭ Major | 0 | 5B | 80 BPM | ||
| Voices of Spring, Op. 410 | Johann Strauss II, Leonard Bernstein | B♭ Major | 2 | 6B | 110 BPM | ||
| Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
| Slavonic Dance No. 8 in G Minor, Op. 46, No. 8 | Antonín Dvořák, George Szell, Cleveland Orchestra | G Major | 4 | 9B | 165 BPM | ||
| España | Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Hervé Niquet | F Major | 3 | 7B | 117 BPM | ||
| Othello Suite: IV. Venice (Nocturne) | Aram Khachaturian, Slovak Radio Symphony Orchestra, Adriano | B♭ Major | 4 | 6B | 124 BPM | ||
| La source, ou Naila: Suite No. 3: La Source: Intermezzo (Pas des Fleurs, Grande Valse) | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 125 BPM |