"Enigma Variations: Theme" by London Philharmonic Orchestra had its release date on 1998. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 20 in Elgar: Enigma Variations by Paul Daniel. In terms of popularity, Enigma Variations: Theme is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Enigma Variations: Theme by London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ave Maria | Charles Gounod, Yo-Yo Ma, Kathryn Stott | C Major | 0 | 8B | 87 BPM | ||
| Handel: Coronation Anthem No. 1, HWV 258 "Zadok the Priest" | George Frideric Handel, Andrew Davis, Royal Choral Society, London Philharmonic Orchestra | D Major | 2 | 10B | 118 BPM | ||
| An der schönen blauen Donau - franz. Version "Le Danube bleu" / RoW Version "The Beautiful Blue Danube" | Johann Strauss II, André Rieu | D Major | 3 | 10B | 82 BPM | ||
| Overture 1812, Op. 49: Overture 1812 - Finale | Pyotr Ilyich Tchaikovsky, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 4 | 5B | 90 BPM | ||
| Die Fledermaus: Ouvertuere | Vienna Volksoper Orchestra, Alfred Scholz | D Major | 1 | 10B | 90 BPM | ||
| Clarinet Concerto in A major, K. 622: Clarinet Concerto in A major, K. 622: II. Adagio | Various Artists, David Shifrin, New York Chamber Symphony, Gerard Schwarz | C Major | 1 | 8B | 92 BPM | ||
| The Blue Danube | Johann Strauss II, Eugene Ormandy | D Major | 1 | 10B | 176 BPM | ||
| Finlandia, Op. 26 | London Philharmonic Orchestra | A♭ Major | 2 | 4B | 137 BPM | ||
| Holst: The Planets, Op. 32: V. Saturn, the Bringer of Old Age | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | C Major | 0 | 8B | 77 BPM | ||
| Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
| Carmen Suite No. 1: III. Intermezzo, Interlude before Act III | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
| Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
| J.S. Bach: J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Orpheus Chamber Orchestra | D Major | 3 | 10B | 65 BPM | ||
| Vaughan Williams: Fantasia on Greensleeves | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | C Minor | 0 | 5A | 74 BPM | ||
| Piano Concerto No. 2, Allegro,Opus 102 | Chicago Symphony Orchestra | B♭ Major | 3 | 6B | 144 BPM | ||
| Wilde | Debbie Wiseman | F Major | 7 | 7B | 120 BPM | ||
| Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM | ||
| Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
| Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 100 BPM | ||
| Gianni Schicchi: O mio babbino caro (Arr. C. Leon for Violin & Orchestra) | Giacomo Puccini, Joshua Bell, Michael Stern | D♭ Major | 2 | 3B | 121 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Cavalleria rusticana: Intermezzo | Pietro Mascagni, Valery Gergiev, Wiener Philharmoniker | F Major | 1 | 7B | 84 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 5, Allegro in F-Sharp Minor | Johannes Brahms, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 139 BPM | ||
| Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | B♭ Major | 3 | 6B | 126 BPM | ||
| The Bat, Overture (Die Fledermaus) | Ljubljana Symphony Orchestra, Anton Nanut | D Major | 2 | 10B | 85 BPM |