"Les Contes d'Hoffmann: Qu'as-tu donc?" by Jacques Offenbach, Richard Tucker, Lucine Amara, Norman Scott, Alessio De Paolis, Martial Singher, Pierre Monteux had its release date on October 28, 2011. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Les Contes d'Hoffmann: Qu'as-tu donc?'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Offenbach: Les Contes d'Hoffmann (Metropolitan Opera)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. Based on our statistics, Les Contes d'Hoffmann: Qu'as-tu donc?'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Contes d'Hoffmann: Qu'as-tu donc? by Jacques Offenbach, Richard Tucker, Lucine Amara, Norman Scott, Alessio De Paolis, Martial Singher, Pierre Monteux having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le Carnaval des Animaux, R.125: Le Cygne | Camille Saint-Saëns, Mischa Maisky, Orchestre de Paris, Semyon Bychkov | G Major | 1 | 9B | 114 BPM | ||
| Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
| Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 0 | 10B | 79 BPM | ||
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
| Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
| Jacques Offenbach: Les contes d'Hoffmann - Bacarolle | Jacques Offenbach, Orchestre national des Pays de la Loire, Hubert Soudant, David Grimal | D Major | 0 | 10B | 132 BPM | ||
| Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro | Johann Sebastian Bach, Rudolf Baumgartner, Lucerne Festival Strings | G Major | 6 | 9B | 122 BPM | ||
| Il pipistrello - Ouverture | Metropolitan Symphony Orchestra, Leonard Mandell | D Major | 3 | 10B | 94 BPM | ||
| Bombones de Viena Op. 307 | Gran Orquesta Vienesa | F Major | 3 | 7B | 187 BPM | ||
| La bohème: Quando me'n vo' | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | A Minor | 3 | 8A | 77 BPM | ||
| Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | ||
| Boccerini: Minuet In D | Richard Hartley | A Major | 1 | 11B | 200 BPM | ||
| Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM | ||
| Kaiser-Walzer (Emperor Waltz), Op. 437 (RV 437) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Major | 1 | 8B | 173 BPM | ||
| Le nozze di Figaro, K. 492, Act I: "Non più andrai" - Instrumental Version | Wolfgang Amadeus Mozart, Orchestra Sinfonica Moldava, Silvano Frontalini | G Major | 1 | 9B | 146 BPM | ||
| Gayane Suite No. 2: VI. Sabre Dance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Major | 8 | 5B | 91 BPM | ||
| Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
| Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
| Liebesträume, S. 541: No. 3, O lieb, so lang du lieben kannst! | Franz Liszt, Daniel Barenboim | A♭ Major | 0 | 4B | 139 BPM | ||
| Carmen Suite No. 1: 2. Aragonaise | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 0 | 7A | 120 BPM | ||
| String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
| Romeo and Juliet, Op. 64 / Act I: No. 13, Dance of the Knights | Sergei Prokofiev, Boston Symphony Orchestra, Seiji Ozawa | C Major | 1 | 8B | 102 BPM | ||
| Gaîté parisienne: Barcarolle | Jacques Offenbach, Boston Symphony Orchestra, Seiji Ozawa | A Minor | 0 | 8A | 135 BPM | ||
| Die Tanzerin, Polka francaise, Op. 227 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 2 | 5B | 173 BPM | ||
| Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | C Minor | 0 | 5A | 171 BPM |