On April 21, 2023, the song "Pyari Re Tari Murti" was released by Baps Swaminarayan Sanstha. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Shobhe Shri Ghanshyam". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Pyari Re Tari Murti is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Pyari Re Tari Murti by Baps Swaminarayan Sanstha having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Utha Jage Vhare Atta | Digambar Kutae, Kashiram Indolikar | D♭ Major | 5 | 3B | 82 BPM | ||
| CHARNE RAKHO SARNE RAKHO | NIDHI DHOLKIYA-NITIN DEVKA | F Major | 6 | 7B | 94 BPM | ||
| Jai Saraswati Mata | Vishnu Narayan, Tripti Shakya | A♭ Major | 9 | 4B | 103 BPM | ||
| Rakh Sada Tav Charne | Satish Dehra, Foram Maheta | D♭ Major | 5 | 3B | 171 BPM | ||
| Ram Krushn Govind | Swami Shree Chhapaiyaprakashdasji | E♭ Major | 7 | 5B | 84 BPM | ||
| Purvana Punya Falya | Sadhu Yogicharandas | A♭ Major | 5 | 4B | 85 BPM | ||
| Muj Sangathe Harek Pal | Baps Swaminarayan Sanstha | A Major | 3 | 11B | 112 BPM | ||
| Aaye Na Sai Saajan Re | Madan Rai | F♯ Major | 5 | 2B | 112 BPM | ||
| GOVIND HARI GOPAL HARI-DHUN | NITIN DEVKA-NIDHO DHOLKIA | E♭ Major | 4 | 5B | 156 BPM | ||
| He Ma Sharda | Satish Dehra, Foram Maheta | E♭ Major | 5 | 5B | 185 BPM | ||
| Mare Mandir Padharo Shrinathiji | Maya Deepak | A♭ Major | 5 | 4B | 170 BPM | ||
| Kana Taru E Rup | Manoj Dave, Himali Dholakia | B♭ Minor | 6 | 3A | 89 BPM | ||
| છાના છાના છાના રે | Sadhu Madhurkirtandas | C Major | 5 | 8B | 117 BPM | ||
| Jai Sadguru Maharaj | Jagadguru Shri Kripalu Ji Maharaj, Sangita Didi | C Major | 6 | 8B | 95 BPM | ||
| Hare Krishna Vol 2 Part 5 - Original | Bitu Samajpati, NA | G Major | 7 | 9B | 95 BPM | ||
| Pramukh Swamie A Brahmande | Baps Swaminarayan Sanstha | G Minor | 6 | 6A | 87 BPM | ||
| Dosh Karo Noygo | Srijan Chatterjee | E♭ Major | 7 | 5B | 116 BPM | ||
| Vojo Gouranga | Apily Dutta Bhowmick | F♯ Major | 7 | 2B | 150 BPM | ||
| He Karuna Na Karnara | Ashit Desai | G Major | 4 | 9B | 99 BPM | ||
| Vipatti Naash Mantra | Jitender Singh | E♭ Major | 6 | 5B | 91 BPM | ||
| Jamone Jamadu Re Jivan | Sadhus of BAPS | E♭ Major | 6 | 5B | 138 BPM | ||
| Aarti Dev Samrathal Ki | Sant Rajuram Ji | F Major | 5 | 7B | 142 BPM | ||
| Hai Matwala Mera Rakhwala | Shridhay Shri Mridul krishna shastri ji maharaj | F Major | 7 | 7B | 173 BPM | ||
| Swaminarayan Dhun - Pahadi | Baps Swaminarayan Sanstha | A♭ Minor | 6 | 1A | 138 BPM | ||
| Ame to Tara Nana Bal | Satish Dehra, Foram Maheta | B♭ Minor | 6 | 3A | 138 BPM |