Madan Rai's ' "Aaye Na Sai Saajan Re" was released on its scheduled release date, April 30, 2002. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 8 in Ae Pinjra Ke Panchhi by Madan Rai. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Aaye Na Sai Saajan Re is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Aaye Na Sai Saajan Re by Madan Rai is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jai Bolo Mahakal Ki | Manish Tiwari | F♯ Minor | 4 | 11A | 94 BPM | ||
| Mahima Gaau Thari Baba Ramdevji Bhajan | Moinudin Manchala | F♯ Major | 5 | 2B | 77 BPM | ||
| Japakarojapa Karo Shri Ram | Dhiraj Sharma | A♭ Major | 5 | 4B | 136 BPM | ||
| Jaanila Maram Hum Khoobhee Tohaar | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Kaye Baithe Mann Maare | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | E♭ Major | 7 | 5B | 148 BPM | ||
| Ala Ola O Gori | Dukalu Yadav | F Minor | 9 | 4A | 131 BPM | ||
| Singi Gal Vich Paalei | Karnail Rana | B♭ Minor | 6 | 3A | 114 BPM | ||
| Sach Kehta Hoon | Narendra Chanchal | A♭ Minor | 8 | 1A | 152 BPM | ||
| Ankhiya Me Bhar Ke Asarwa | Bharat Sharma | B♭ Major | 7 | 6B | 145 BPM | ||
| Paraya Shahar Hai | Arshad Kamli, Naim Sabri | B♭ Minor | 6 | 3A | 95 BPM | ||
| Aail Chhathi Ke Pujanwa | Gopal Rai | A♭ Major | 8 | 4B | 80 BPM | ||
| Chhaun Mi Ghangtol Ma | Narendra Singh Negi | E♭ Minor | 4 | 2A | 172 BPM | ||
| Chalo Daras Bar | Dukalu Yadav | D♭ Major | 6 | 3B | 80 BPM | ||
| Dheere - Dheere Khol Ae Sevak | Guddu Rangila | D♭ Minor | 9 | 12A | 84 BPM | ||
| Piya Mehendi Manga Da Moti Jheel Se | Madan Rai | D♭ Major | 5 | 3B | 91 BPM | ||
| Dhan Dhan He Vidhata | Dukalu Yadav | F Minor | 9 | 4A | 146 BPM | ||
| Bhanwarwa Ke Tohra Sang Jaayi | MANOJ TIWARI | F♯ Major | 5 | 2B | 156 BPM | ||
| Sun Soniyan Jatavan Waleya | Karnail Rana | B♭ Major | 8 | 6B | 102 BPM | ||
| Thai To Sacha Ho Tap Dhari | Moinuddin Manchala | F♯ Major | 9 | 2B | 96 BPM | ||
| Saiya More Gawanwa Lihale Jala | Madan Rai | F♯ Major | 6 | 2B | 110 BPM | ||
| Kanifnathala Vandan Karu | Chhagan Chougule | E♭ Minor | 7 | 2A | 103 BPM | ||
| Padh Le Rau Bauaa | Dilip Darbhangiya | F♯ Minor | 10 | 11A | 95 BPM | ||
| Koi Nahi Jaane | Madan Rai | F♯ Major | 4 | 2B | 140 BPM | ||
| Karuna Bhare Kripa Bhare | K. S. Chithra, Vichitra | E♭ Major | 9 | 5B | 88 BPM | ||
| M Deewani Chu Taar | Shahin Shaikh, M Farukh Shaikh, Sonu Rathod | D♭ Major | 6 | 3B | 170 BPM |