The Vanished's 'Scars' had a release date set for February 1, 2024. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 20 in Cycles by The Vanished. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Based on our statistics, Scars's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Scars by The Vanished is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Goddess | The Exies | B♭ Minor | 10 | 3A | 119 BPM | ||
| Nothing All The Time | H Is Orange | G Minor | 9 | 6A | 87 BPM | ||
| Stay Tonight | Matchbook Romance | E♭ Major | 10 | 5B | 90 BPM | ||
| When She Comes | Injected | G Major | 8 | 9B | 95 BPM | ||
| A Kiss Won't Make This Better | Lorene Drive | F Minor | 9 | 4A | 143 BPM | ||
| Heaven Like | Parabelle | G Minor | 9 | 6A | 172 BPM | ||
| Save You | Hot Rod Circuit | A Major | 9 | 11B | 152 BPM | ||
| Broken Wings | Bleed The Dream | A♭ Major | 8 | 4B | 142 BPM | ||
| Basement Ghost Singing | Armor For Sleep | B Minor | 9 | 10A | 133 BPM | ||
| Q (The Best One Of Our Lives) | Evans Blue | D♭ Minor | 9 | 12A | 107 BPM | ||
| Fear | Evans Blue | G Minor | 9 | 6A | 124 BPM | ||
| The Bleeding | Deepfield | F♯ Major | 7 | 2B | 146 BPM | ||
| Do You Know | Tonic | A♭ Major | 8 | 4B | 78 BPM | ||
| Hate To See You Go | The Color Fred | F♯ Major | 10 | 2B | 146 BPM | ||
| Look Right Through Me | Revis | E Minor | 6 | 9A | 86 BPM | ||
| Rumors | Waking Ashland | E♭ Major | 8 | 5B | 147 BPM | ||
| Belief System | Doubledrive | A Major | 9 | 11B | 108 BPM | ||
| Change for Me | Low Level Flight | G Major | 9 | 9B | 122 BPM | ||
| The Runaway | Something Corporate | F♯ Minor | 9 | 11A | 98 BPM | ||
| All That's Left | Thrice | G Minor | 10 | 6A | 183 BPM | ||
| Over You | Acceptance | D♭ Major | 9 | 3B | 170 BPM | ||
| Satellites | Cherry Monroe | F Major | 9 | 7B | 126 BPM | ||
| The Anatomy of Desperation | The Vanished | A♭ Minor | 8 | 1A | 102 BPM | ||
| City Beneath | Revis | G Major | 9 | 9B | 184 BPM | ||
| Hold the Door | Armor For Sleep | E Major | 8 | 12B | 164 BPM |