On November 3, 2022, the song "Utaru Main Girdhar Teri Aarti" was released by Devendra Pathak. This song is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. Since Utaru Main Girdhar Teri Aarti only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. Based on our statistics, Utaru Main Girdhar Teri Aarti's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Utaru Main Girdhar Teri Aarti by Devendra Pathak having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kirtan Ki Hai Raat Baba Aaj Thane Aano Hai | Mithlesh Sharma | A♭ Major | 6 | 4B | 153 BPM | ||
| Shyam More Nainan Aage | Sadhhwi Purnima Ji | A♭ Minor | 8 | 1A | 116 BPM | ||
| Mera To Sahara Shyam Tu Hai | Kanhiya Mittal | D Major | 6 | 10B | 128 BPM | ||
| Raat Shyam Sapne Mein Aaye | Sanjo Baghel | D Minor | 8 | 7A | 90 BPM | ||
| Aaja Hare Ke Sahare | Ram Kumar Lakkha | D♭ Major | 8 | 3B | 144 BPM | ||
| Sherva Sawari Bade | Bharat Sharma Vyas | G Major | 5 | 9B | 169 BPM | ||
| Duniya Se Main Haara | Chetna | C Major | 10 | 8B | 115 BPM | ||
| Sai Ji Teri Badi Kripa Hai | Puneet Khurana | B♭ Minor | 9 | 3A | 88 BPM | ||
| Chitrakut Ke Ghat Ghat Par | Devendra Pathak | D Major | 6 | 10B | 128 BPM | ||
| Thali Bhar Ke Layai Khichdo | Seema Mishra | A Minor | 5 | 8A | 79 BPM | ||
| Radhe Radhe Japo Chale Aayenge | Arun Nagpal | B Major | 8 | 1B | 130 BPM | ||
| Karein Bhagat hon aarti mai doi biriyan | Rakesh Tiwari | A♭ Major | 5 | 4B | 117 BPM | ||
| Mere Man Mein Bhi Ram Mere Tan Mein Bhi Ram | Dhiraj Sharma | B Minor | 5 | 10A | 102 BPM | ||
| Jab Se Naina Ladal | Sadhvi Purnima Ji | D♭ Major | 8 | 3B | 90 BPM | ||
| Shri Banke Bihari Teri Aarti Gaun | Satish Dehra, Mukul Soni | A♭ Major | 6 | 4B | 150 BPM | ||
| Mahandewa O Mahandewa | Inder Singh | B♭ Major | 6 | 6B | 90 BPM | ||
| Pichham Dharasu Mhara (Shringarik Aarti) | Gopal Bajaj | A♭ Major | 4 | 4B | 93 BPM | ||
| Dhara To Beh Rahi | Mridul Krishan Shastri | B Major | 9 | 1B | 129 BPM | ||
| Radhe Radhe | Devi Chitralekha | C Minor | 8 | 5A | 100 BPM | ||
| Nagri Ho Ayodhya Si | Prakash Gandhi | A♭ Major | 8 | 4B | 90 BPM | ||
| Laga Ke Aas Me Baitha Hu | Pujya Prembhushanji Maharaj | E♭ Minor | 9 | 2A | 98 BPM | ||
| Lagan Lagi Tose | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Mere Sheesh Ke Dani Ka | Pt. Ram Avtar Sharma, Anupama, Rajneesh Sharma | D♭ Major | 8 | 3B | 107 BPM | ||
| Tera Darsh Paane Ko Ji Chahta Hai | Bhaiya Krishan Das Ji | D♭ Minor | 8 | 12A | 79 BPM | ||
| Shyam Ki Murli Ka | Chitra Vichitra | F♯ Major | 9 | 2B | 92 BPM |