Notis Mavroudis's ' "Themes and Variations on "Folia de España": Moderato" was released on its scheduled release date, April 3, 2005. With This song being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Works of Classical Guitar from Latin America by Notis Mavroudis. The song's track number on the album is #11 out of 23 tracks. Based on our statistics, Themes and Variations on "Folia de España": Moderato's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Themes and Variations on "Folia de España": Moderato by Notis Mavroudis has a tempo of 143 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Themes and Variations on "Folia de España": Moderato being at 143 BPM, the half-time would be 72 BPM with a double-time of 286 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | D Major | 1 | 10B | 131 BPM | ||
| Kinderszenen, Op. 15 (Arr. for Guitar by Johan Smith): VII. Träumerei | Robert Schumann, Johan Smith | D Major | 0 | 10B | 137 BPM | ||
| Variations on a Theme by Tchaikovsky, Op. 35a: Var. III. Andantino tranquillo | Anton Arensky, Metamorphose String Orchestra, Pavel Lyubomudrov | E Major | 2 | 12B | 78 BPM | ||
| Forgotten: Impromptu | Catharina Josepha Pratten, Alexandra Whittingham | D Minor | 5 | 7A | 152 BPM | ||
| Lecon, Op. 60: No. 22 in E Minor | Fernando Sor, Nicholas Goluses | E Minor | 1 | 9A | 131 BPM | ||
| Ricercare No. 11 | Giovanni Maria da Crema, Guillem Perez-Quer | D Major | 0 | 10B | 103 BPM | ||
| Lauro: Romanza | Antonio Lauro, Sharon Isbin | D Major | 0 | 10B | 204 BPM | ||
| Andante No. 9 in E Minor | Pedro Ximénez Abril y Tirado, Christopher Avilez | E♭ Minor | 1 | 2A | 106 BPM | ||
| Piccola reminiscenza | Giacomo Cataldo | B♭ Minor | 1 | 3A | 92 BPM | ||
| Luz y norte musical: Achas | Lucas Ruiz de Ribayaz, Nuria Llopis Areny | B Minor | 2 | 10A | 147 BPM | ||
| 3 Compositions for Violin and Piano, Op. 40: No. 2, Berceuse, Op. 40: No. 2, Berceuse | Amy Beach, Alessandro Clerici, Elena Brunello | D Major | 0 | 10B | 73 BPM | ||
| 6 Schubertian Songs (arr. J. Mertz for guitar): Winterreise, Op. 89, D. 911: No. 13. Die Post (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | G Major | 1 | 9B | 99 BPM | ||
| Granados / Transcr. Isbin: Cuentos de la juventud, Op. 1: No. 1, Dedicatoria | Enrique Granados, Sharon Isbin | D Major | 0 | 10B | 204 BPM | ||
| Fantasía para un gentilhombre: IV. Allegro con brio | Joaquín Rodrigo, Dale Kavanagh, Staatsphilharmonie Arad, Horst Bäcker | C Major | 2 | 8B | 118 BPM | ||
| Could We Start Again: Jesus Christ Suprestar | Prague Cello Quartet | D Major | 1 | 10B | 63 BPM | ||
| Les pêcheurs de perles, WD 13, Act I: Au fond du temple saint (Arr. for Cello and Orchestra) | Georges Bizet, Sally Maer, Andrew Greene, Tasmanian Symphony Orchestra | E♭ Major | 2 | 5B | 57 BPM | ||
| Bonporti: Concerto a 4 in F Major, Op. 11 No. 5: II. Andante | Francesco Bonporti, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | F Major | 1 | 7B | 132 BPM | ||
| 8 Valses Poeticos: No. 1, Melodico (Arr. Raphaël Feuillâtre) | Raphaël Feuillâtre | A Major | 0 | 11B | 44 BPM | ||
| Concerto Magna Carta: I. Sprightly and animated | John Brunning, Xuefei Yang, Royal Liverpool Philharmonic Orchestra, Clark Rundell | E Minor | 1 | 9A | 126 BPM | ||
| Tannhauser: "Song of the Evening Star" | Kenneth Kuo, Chia Yuan Liang | D Major | 2 | 10B | 88 BPM | ||
| Moderato Espressivo: Rev. Seg. No. 6 | Manuel Maria Ponce, Andrea Rollo | A♭ Major | 0 | 4B | 98 BPM | ||
| 5 Romances: Romance No. 2 'Dusk' | John Brunning, Xuefei Yang, Royal Liverpool Philharmonic Orchestra, Clark Rundell | E Minor | 1 | 9A | 126 BPM | ||
| Eight Russian Folksongs for Orchestra, Op. 58: VI. Cradle Song (Lullaby). Moderato | Anatoly Lyadov, Alexander Gauk | C Minor | 2 | 5A | 72 BPM | ||
| Capriol Suite: V. Pieds-en-l'air | Peter Warlock, Büyükada Ensemble, James Ross | G Major | 2 | 9B | 142 BPM | ||
| Recital de Guitarra: Andante de "Sonatina" | Federico Moreno Torroba, Renata Tarragó | D Major | 0 | 10B | 135 BPM |