"Godzilla Ending" by 小六禮次郎 had its release date on 1984. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Godzilla Ending's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 54 in the song's album "THE RETURN OF GODZILLA Original Soundtrack". In this album, this song's track order is #54. In terms of popularity, Godzilla Ending is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Godzilla Ending by 小六禮次郎 having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 始まり | Takayuki Hattori | D Minor | 3 | 7A | 78 BPM | ||
| ハルオの記憶 | Takayuki Hattori | G Minor | 2 | 6A | 138 BPM | ||
| Godzilla Ending | 小六禮次郎 | B Minor | 2 | 10A | 101 BPM | ||
| Godzilla-1.0 Godzilla Suite II | Naoki Sato | E Minor | 1 | 9A | 65 BPM | ||
| モビル・スーツ | Shigeaki Saegusa | G Major | 7 | 9B | 91 BPM | ||
| Zeon Kokoku no Inbo | 渡辺岳夫 | D Major | 8 | 10B | 154 BPM | ||
| バロックワークス | 岩崎文紀 | C Major | 3 | 8B | 144 BPM | ||
| Even Elder Dragons Tremble - Nergigante | 栗田博文, Tokyo Philharmonic Orchestra | A♭ Major | 6 | 4B | 77 BPM | ||
| 七色星団の攻防戦 G-2 | 宮川 泰, ヤマト・スタジオ・オーケストラ | A Minor | 7 | 8A | 73 BPM | ||
| Battle in Outer Space / [Battle in Outer Space] | Akira Ifukube | G Major | 10 | 9B | 137 BPM | ||
| Into the Jaws of Death | Transformers | B♭ Major | 9 | 6B | 168 BPM | ||
| マジに決めるゼ!(BGM) | 岩崎貴文 | A Major | 9 | 11B | 163 BPM | ||
| Follow That Nun | Gordy Haab | E♭ Major | 2 | 5B | 76 BPM | ||
| べらぼう~蔦重栄華乃夢噺~ メインテーマ Glorious Edo - 2025 Live Version | 広上淳一, NHK Symphony Orchestra | G Major | 2 | 9B | 84 BPM | ||
| 無限に広がる大宇宙〜夕日に眠るヤマト D-3 | 宮川 泰, ヤマト・スタジオ・オーケストラ | C Major | 5 | 8B | 137 BPM | ||
| Invented Incisors | 栗田博文, Tokyo Philharmonic Orchestra | A♭ Major | 6 | 4B | 77 BPM | ||
| 天を衝く花 | Hideakira Kimura | G Major | 1 | 9B | 108 BPM | ||
| Penny in Paris | Barry Gray | D Major | 8 | 10B | 124 BPM | ||
| Sidewinder | Barry Gray | D Major | 8 | 10B | 124 BPM | ||
| The Dutchman's Deal | John Debney | F Minor | 3 | 4A | 139 BPM | ||
| Godzilla Vs. Destroyer: Main Title / Destroy Hong Kong - From "Godzilla Vs. Destroyer" | Ifukube | F Major | 3 | 7B | 95 BPM | ||
| Tornado | Stephan Schutze, Melbourne Symphony | A Major | 2 | 11B | 117 BPM | ||
| F91ガンダム出撃 | 門倉聡 | F Major | 5 | 7B | 118 BPM | ||
| Tremble of the Sea and Land - Lagiacrus | 栗田博文, Tokyo Philharmonic Orchestra | B♭ Minor | 6 | 3A | 97 BPM | ||
| Triumph On Your Knees | DePaul Osaze | E♭ Major | 2 | 5B | 100 BPM |