- BPM
- 168
- Key
- D Major
- Camelot
- 10B
Pay Close Attention by Cheryl Frances-Hoad, Yshani Perinpanayagam, Christopher Jones, Gemma Sharples, Kay Stephen, Anna Menzies Song Details
"Pay Close Attention" by Cheryl Frances-Hoad, Yshani Perinpanayagam, Christopher Jones, Gemma Sharples, Kay Stephen, Anna Menzies had its release date on November 12, 2020. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Pay Close Attention's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 17 in Cheryl Frances-Hoad: The Whole Earth Dances by Cheryl Frances-Hoad, Various Artists. The popularity of Pay Close Attention is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of Pay Close Attention by Cheryl Frances-Hoad, Yshani Perinpanayagam, Christopher Jones, Gemma Sharples, Kay Stephen, Anna Menzies is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
Music Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -18.395 dB
- Acousticness
- 95%
- Danceability
- 41%
- Energy
- 30%
- Instrumentalness
- 86%
- Liveness
- 9%
- Loudness
- 69%
- Speechiness
- 8%
- Valence
- 9%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cello Solo Sonata, Op. 8: I. Allegro maestoso ma appassionato | Zoltán Kodály, Johannes Przygodda | B Minor | 1 | 10A | 65 BPM | |
 | Castillo Interior: Adagio | Pēteris Vasks, Kristīne Balanas, Margarita Balanas | D Major | 0 | 10B | 90 BPM | |
 | Katharsis: II. Moto perpetuo | Cheryl Frances-Hoad, David Cohen, Paul Hoskins, Rambert Orchestra | E Minor | 3 | 9A | 114 BPM | |
 | Les Sirènes | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | F♯ Major | 0 | 2B | 132 BPM | |
 | To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | |
 | The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | |
 | Stabat Mater: Stabat Mater: IV. Quae moerebat et dolebat | Francis Poulenc, Cappella Amsterdam, Daniel Reuss, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra | A♭ Major | 1 | 4B | 92 BPM | |
 | Pastoraalisarja, Op. 34: III. Legenda | Leevi Madetoja, Oulu Sinfonia, Rumon Gamba | A Minor | 0 | 8A | 75 BPM | |
 | Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | |
 | The Thought Machine: II. Night Journey | Cheryl Frances-Hoad, Sophie Daneman, Mark Stone, Sholto Kynoch | A Minor | 1 | 8A | 78 BPM | |
 | Your Temple, O God | Yuri Alexandrovich Falik, Ieva Ezeriete, Latvijas Radio koris, Sigvards Kļava | A Minor | 1 | 8A | 111 BPM | |
 | Te Deum: Te gloriosus Apostolorum chorus | Henrik Ødegaard, Trad., Ensemble 96, Nina T. Karlsen | C Major | 0 | 8B | 138 BPM | |
 | Requiem, Op. 9: I. Introït | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | D Major | 0 | 10B | 67 BPM | |
 | Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | |
 | Lohdutus, Op. 32: Nro. 1, Consolation | Taneli Kuusisto, SRK Musiikki | A Minor | 0 | 8A | 82 BPM | |
| Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM | |
 | Lament | Cheryl Frances-Hoad, Ruby Hughes, Huw Watkins | F♯ Minor | 0 | 11A | 86 BPM | |
 | O Come, Let Us Sing Unto the Lord | Cheryl Frances-Hoad, The Choir of Magdalen College, Oxford, Mark Williams | C Major | 0 | 8B | 138 BPM | |
 | Arcadiana: VI. O Albion | Thomas Adès, Calder Quartet | E♭ Major | 0 | 5B | 78 BPM | |
 | Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | F Minor | 1 | 4A | 143 BPM | |
 | Britten: Young Apollo, Op. 16 | Benjamin Britten, Martin James Bartlett, Mozarteumorchester Salzburg, Howard Griffiths | C Major | 0 | 8B | 138 BPM | |
 | Ich bin der Welt abhanden gekommen | Gustav Mahler, The Norwegian Soloists' Choir | E♭ Major | 0 | 5B | 134 BPM | |
 | The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | C Major | 0 | 8B | 138 BPM | |
 | Lo, How a Rose | Jocelyn Hagen, Timothy C. Takach, VOCES8 Foundation Orchestra, Jack Liebeck, Barnaby Smith | B Minor | 1 | 10A | 85 BPM | |
 | Cello Concerto ‘Earth, Sea, Air’: II. Sea | Cheryl Frances-Hoad, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | C Major | 0 | 8B | 85 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records