Steve Rouse, Benjamin Sung, Jihye Chang's ' "Violin Sonata No. 2: III. Crisp, Tight, Dancing" was released on its scheduled release date, September 8, 2017. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Violin Sonata No. 2: III. Crisp, Tight, Dancing's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Steve Rouse: Morphic Resonance". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Violin Sonata No. 2: III. Crisp, Tight, Dancing is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Violin Sonata No. 2: III. Crisp, Tight, Dancing by Steve Rouse, Benjamin Sung, Jihye Chang having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Impromptu-caprice in A-Flat Major, Op. 9. Allegretto moderato | Gabriel Pierné, Lavinia Meijer | A♭ Major | 1 | 4B | 75 BPM | ||
| Morreale Monologues: Can You Keep a Secret? | Steve Rouse, Emily Albrink, Kathleen Kelly | A Major | 0 | 11B | 178 BPM | ||
| Hommage à Manuel de Falla | Bela Kovacs, André Moisan | A Minor | 1 | 8A | 73 BPM | ||
| Nevolution: II. Star Quiet | Steve Rouse, Michael Tunnell, Meme Tunnell | A Major | 5 | 11B | 93 BPM | ||
| Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | ||
| Vocalise | Anthony Mcgill | C Minor | 0 | 5A | 71 BPM | ||
| 5 Bagatelles for clarinet and piano, Op.23: 4. Forlana - Allegretto grazioso | Gerald Finzi, Emma Johnson, Malcolm Martineau | F♯ Major | 0 | 2B | 185 BPM | ||
| Morreale Monologues: Thank You | Steve Rouse, Emily Albrink, Kathleen Kelly | A Major | 0 | 11B | 178 BPM | ||
| Dance Movements: III. Lento (for the brass) | Philip Sparke, North Texas Wind Symphony, Eugene Migliaro Corporon | A♭ Major | 0 | 4B | 72 BPM | ||
| Sonatina for Horn and Piano Op.56 - II. Minuet: Andantino | Ben Goldscheider, Huw Watkins | A Major | 1 | 11B | 112 BPM | ||
| Agon, Ballet, K88: IIb. Pas de trois I. Sarabande-Step | Igor Stravinsky, Ilan Volkov, BBC Scottish Symphony Orchestra | F Major | 0 | 7B | 92 BPM | ||
| Syrinx (Arr. J.M. Londeix) | Claude Debussy, Gerard McChrystal | E Minor | 3 | 9A | 164 BPM | ||
| Horn Concerto in B flat, Op. 91: 3. Moderato | Reinhold Glière, Hermann Baumann, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 156 BPM | ||
| 3 Latin American Sketches: Paisaje Mexicano | Aaron Copland, Nashville Chamber Orchestra, Paul Gambill | F♯ Major | 0 | 2B | 70 BPM | ||
| 6 Studies in English Folksong: V. Andante tranquillo in G Major, "The Lady and the Dragon" | Ralph Vaughan Williams, Joseph Lulloff, Philip Hosford | G Major | 0 | 9B | 133 BPM | ||
| La fille aux cheveux de lin [The Girl with the Flaxen Hair]: (Debussy) | Joseph Alessi | F Major | 0 | 7B | 69 BPM | ||
| Le tombeau de Couperin, M. 68: IV. Rigaudon (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | D♭ Major | 0 | 3B | 109 BPM | ||
| Sur l'eau: Sur l’eau (On the Water): Alla barcarolla, moderato | Philippe Gaubert, Fenwick Smith, Sally Pinkas | F♯ Major | 1 | 2B | 77 BPM | ||
| Viola Concerto, BB 128, Sz. 120: I. Moderato | Béla Bartók, James Ehnes, Gianandrea Noseda, BBC Philharmonic Orchestra | E Major | 1 | 12B | 85 BPM | ||
| Bene Feast | Estoria | D♭ Major | 0 | 3B | 109 BPM | ||
| Concertino da Camera: I. Allegro con moto | Jacques Ibert, Nobuya Sugawa, Yutaka Sado, BBC Philharmonic Orchestra | F Major | 2 | 7B | 121 BPM | ||
| Kingfishers Catch Fire: I. Following Falls & Falls of Rain | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | F Major | 1 | 7B | 62 BPM | ||
| Be Thou My Vision | David R. Gillingham, North Texas Wind Symphony, Eugene Migliaro Corporon | C Major | 2 | 8B | 114 BPM | ||
| Chanson et passapied - Instrumental Version | Daniel Sanchez | G Major | 1 | 9B | 83 BPM | ||
| Bassoon Concerto in F, Op. 75: 2. Adagio | Carl Maria von Weber, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 140 BPM |