"Wüstenbuch (2009): Scene IX - Live" by Beat Furrer, Klangforum Wien, Tora Augestad, Hélène Fauchère, Sébastian Brohier, Isabelle Menke, Olivia Grigolli, Catriona Guggenbühl, Bettina Stucky, Carina Brauchnschmidt, Ueli Jäggi had its release date on June 1, 2014. This song is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The song is number 8 out of 14 in Beat Furrer: Wüstenbuch by Beat Furrer, Klangforum Wien. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. Wüstenbuch (2009): Scene IX - Live is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wüstenbuch (2009): Scene IX - Live by Beat Furrer, Klangforum Wien, Tora Augestad, Hélène Fauchère, Sébastian Brohier, Isabelle Menke, Olivia Grigolli, Catriona Guggenbühl, Bettina Stucky, Carina Brauchnschmidt, Ueli Jäggi is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ik Heb Gejaagd, Wel Jaren Lang (Johannes Brugman) | Martien van der Knijff | A♭ Major | 2 | 4B | 105 BPM | ||
| Libro di terra e d'incanti (2016-19) for voice and Ensemble: Preludio. È rimasto scritto sulla Lavagnetta | Simone Movio, Livia Rado, Mdi Ensemble, Beat Furrer | C Major | 2 | 8B | 101 BPM | ||
| 12 Nocturnes: No. 5, In den Morgen tanzen | Bent Sørensen, Katrine Gislinge | E♭ Major | 3 | 5B | 89 BPM | ||
| Xenos III, II | Beat Furrer, Klangforum Wien, Björn Wilker, Lukas Schiske | A Minor | 3 | 8A | 110 BPM | ||
| FAMA (2004/05) Hörtheater für großes Ensemble, acht Stimmen, Schauspielerin und Klanggebäude: IV. Szene (8 Vokalstimmen und Ensemble) | Beat Furrer, Neue Vocalsolisten Stuttgart, Klangforum Wien | A Minor | 3 | 8A | 146 BPM | ||
| The Sacred Veil: VII. I Am Here | Eric Whitacre, Los Angeles Master Chorale, Jeffrey Zeigler, Lisa Edwards | F Major | 0 | 7B | 87 BPM | ||
| FAMA (2004/05) Hörtheater für großes Ensemble, acht Stimmen, Schauspielerin und Klanggebäude: I. Szene (8 Vokalstimmen, Erzählerin und Ensemble) | Beat Furrer, Isabelle Menke, Neue Vocalsolisten Stuttgart, Klangforum Wien | D Major | 4 | 10B | 129 BPM | ||
| Considering Matthew Shepard, Passion: No. 8, Recitation III | Craig Hella Johnson, Conspirare, Melissa Givens | E♭ Minor | 1 | 2A | 91 BPM | ||
| John Adams Road Movies III 40 Percent Swing | Frank Cassara, Helen Lin | D Major | 3 | 10B | 154 BPM | ||
| String Quartet No. 4, 2nd Movement, Percussive Dimensions | Béla Bartók, vision string quartet, Bernhard Schimpelsberger | E♭ Major | 3 | 5B | 89 BPM | ||
| 2 Thoughts About the Piano, No. 2. Caténaires: 2 Thoughts About the Piano: No. 2, Caténaires | Elliott Carter, Ursula Oppens | B Minor | 2 | 10A | 108 BPM | ||
| O Mors Inevitabilis | Hieronymus Vinders, Graindelavoix, Björn Schmelzer | E Major | 2 | 12B | 142 BPM | ||
| In the Light of Air: III. Existence | Anna Thorvaldsdottir, International Contemporary Ensemble | A Major | 2 | 11B | 139 BPM | ||
| Ligeti: Requiem: IV. Lacrimosa. Molto lento | György Ligeti, Jonathan Nott, Caroline Stein, London Voices, Margriet van Reisen, Berliner Philharmoniker | D♭ Major | 0 | 3B | 147 BPM | ||
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | E♭ Major | 3 | 5B | 89 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (2) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | F♯ Minor | 3 | 11A | 129 BPM | ||
| 12 Nocturnes: No. 2, Mondnacht (Berceuse No. 2) | Bent Sørensen, Katrine Gislinge | E♭ Major | 3 | 5B | 89 BPM | ||
| Monsoon | Thrya | E Major | 1 | 12B | 77 BPM | ||
| Illas nots | Beat Furrer, Klangforum Wien, Gerald Preinfalk, Elina Viluma-Helling | D♭ Minor | 0 | 12A | 133 BPM | ||
| Schubert's "Winterreise": No. 1, Gute Nacht | Hans Zender, Franz Schubert, Aurora Orchestra, Nicholas Collon, Allan Clayton | E♭ Major | 3 | 5B | 89 BPM | ||
| Bartók: String Quartet No. 4 in C Major, Sz. 91: III. Non troppo lento | Béla Bartók, Belcea Quartet | C Major | 0 | 8B | 72 BPM | ||
| Diagram and Projection: III. The Bells of St. Petersburg | Alessio Santolini Raggi | E♭ Major | 3 | 5B | 89 BPM | ||
| In Memoriam Dylan Thomas: II. Do not go gentle into that good night | Igor Stravinsky, Guy Cutting, Eeva Koskinen, Hugo Berreni, Christophe Weidmann, Florent Maigrot | E♭ Major | 3 | 5B | 89 BPM | ||
| Presto con fuoco (1997) for flute and Piano | Beat Furrer, Eva Furrer, Marino Formenti | G Major | 4 | 9B | 80 BPM | ||
| String Quartet No. 14 in F-Sharp Major, Op. 142: I. Allegretto | Dmitri Shostakovich, Cuarteto Casals | E♭ Major | 3 | 5B | 89 BPM |