N. Ravikiran's 'Veena Pustaka - Raga Vegavahini' had a release date set for January 1, 1992. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 6 in Dikshitar Masterpieces by N. Ravikiran. The popularity of Veena Pustaka - Raga Vegavahini is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Veena Pustaka - Raga Vegavahini by N. Ravikiran is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nadhatanumanisam | A. Kanyakumari | C Major | 6 | 8B | 165 BPM | ||
| Jhunpuri - Instrumental | Ustad Bismillahkhan | D Major | 4 | 10B | 101 BPM | ||
| Kitee Billee Dron Ko Pasand Karatee Hai | Tanpura Express | E♭ Major | 2 | 5B | 140 BPM | ||
| Pavanguru - Hamsanandhi - Rupakam | Rajhesh Vaidhya | B Minor | 6 | 10A | 154 BPM | ||
| Raga Karnaranjani | Ganesh & Kumaresh | A♭ Minor | 6 | 1A | 175 BPM | ||
| Raga kirvani : Tânam | L. Subramaniam | E Major | 2 | 12B | 87 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Niraval | Ranganayaki Rajagopalan, Raja Rao | F Minor | 5 | 4A | 164 BPM | ||
| Double Dayan | Traditional, Zakir Hussain | D Major | 4 | 10B | 100 BPM | ||
| Raag Ratri | Sounds of Optimism, Deepesh Sanmal | D Major | 1 | 10B | 102 BPM | ||
| Fast tintal | Manilal Nag | G Major | 4 | 9B | 143 BPM | ||
| Shanti - Peace | Tony Scott | A Major | 0 | 11B | 83 BPM | ||
| Enna Kavi | Aruna Sairam | D♭ Major | 3 | 3B | 140 BPM | ||
| Anjali to Sérana | Serge Serna | F Major | 3 | 7B | 81 BPM | ||
| Bairan Ratiya Dadra | Prabha Atre | A♭ Minor | 4 | 1A | 107 BPM | ||
| 8.5 Beats | Anindo Chatterjee | B Minor | 6 | 10A | 124 BPM | ||
| Raga Bhairavi Drut | Shahid Parvez | B Major | 4 | 1B | 141 BPM | ||
| Manasa Sancharare - Flute | N. Ramani | F Minor | 3 | 4A | 138 BPM | ||
| Raga Bhairavi Alap | Shahid Parvez | A♭ Minor | 1 | 1A | 136 BPM | ||
| Raag Nat Bhairav - Gat in Jhaptaal | Mayukh Gangopadhyay | F Major | 0 | 7B | 67 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Caraṇam | Ranganayaki Rajagopalan, Raja Rao | F Minor | 4 | 4A | 157 BPM | ||
| Saraswati Sitar | Sage Mode | D Major | 2 | 10B | 187 BPM | ||
| The Way I Feel | Leela, Re-Orient | D Major | 5 | 10B | 93 BPM | ||
| Kashmiri Dhun in Dadra Tal | Ronu Majumdar, Abhijit Banerjee | E Major | 1 | 12B | 137 BPM | ||
| Emperor's Mare | Béla Fleck, Jie-Bing Chen, Vishwa Mohan Bhatt | F Minor | 0 | 4A | 130 BPM | ||
| Romantic Dhun | Vishwa Mohan Bhatt, Sukhvinder Singh Namdhari | G Major | 2 | 9B | 146 BPM |