Arthur Sullivan, RTE Concert Orchestra, Andrew Penny's ' "L'ile enchantee: No. 8a Variation For Mlle. Carmine" was released on its scheduled release date, October 7, 1992. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Sullivan: Ile Enchantee (L') / Thespis". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, L'ile enchantee: No. 8a Variation For Mlle. Carmine's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With L'ile enchantee: No. 8a Variation For Mlle. Carmine by Arthur Sullivan, RTE Concert Orchestra, Andrew Penny having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kobenhavns Jernbanedamp Galop (Copenhagen Steam Railway Galop): Kjobenhavens Jernbane-Damp-Galop | Hans Christian Lumbye, Slovak State Philharmonic Orchestra, Mika Eichenholz | E Major | 2 | 12B | 82 BPM | ||
| The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | ||
| H.M.S. Pinafore, Act I: Sir Joseph's Barge Is Seen | Gilbert & Sullivan Society of Houston | E Minor | 2 | 9A | 102 BPM | ||
| Messa di Gloria: Credo in unum Deum | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
| For he's gone and married Yum-Yum | Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Colin Wright, John Reed, Kenneth Sandford, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 4 | 5B | 112 BPM | ||
| H.M.S.Pinafore: Never mind the why and wherefore | Arthur Sullivan, Jean Hindmarsh, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey | B Major | 3 | 1B | 137 BPM | ||
| Peter and the Wolf, Op. 67: V. Grandfather | Wiener Opernorchester | D♭ Major | 1 | 3B | 77 BPM | ||
| Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | ||
| La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | ||
| Gloria, FP 177: II. Laudamus te | Francis Poulenc, Britten Sinfonia, Polyphony, Stephen Layton, The Choir Of Trinity College, Cambridge | D Minor | 2 | 7A | 130 BPM | ||
| Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | C Major | 2 | 8B | 89 BPM | ||
| Wagner: Lohengrin, Act 1: "Nun höret mich und achtet wohl! (Herald, Lohengrin, Frederick, Henry, Elsa, Ortrud, Chorus) | Richard Wagner, Daniel Barenboim, Emily Magee, Falk Struckmann, Peter Seiffert, René Pape, Roman Trekel, Staatskapelle Berlin | F Major | 1 | 7B | 81 BPM | ||
| Berlioz: Béatrice et Bénédict, H 138, Act 2: "Le vin de Syracuse" (Somarone, Chœur) | Hector Berlioz, John Nelson, Chœur de l'Opéra de Lyon, Gabriel Bacquier, Orchestre de l'Opéra de Lyon | G Major | 2 | 9B | 174 BPM | ||
| Stay, We Must Not Lose Our Senses | The Pirates Of Penzance | G Major | 5 | 9B | 137 BPM | ||
| The Kingdom, Op. 51: Ia. In The Upper Room (Seek first the kingdom) | Edward Elgar, Francesca Chiejina, Sarah Connolly, Benjamin Hulett, Ashley Riches, Crouch End Festival Chorus, London Mozart Players, David Temple | D Minor | 2 | 7A | 62 BPM | ||
| Trial by Jury: Recitative and Chorus. Is This the Court of the Exchequer? | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Chorus, Welsh National Opera Orchestra, Barry Banks | D Major | 2 | 10B | 70 BPM | ||
| Gounod: Faust, Act 2: "Allons, amis ! Point de vaines alarmes !" (Wagner, Méphistophélès, Chœur) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Marc Barrard, Orchestre Du Capitole De Toulouse | F Major | 2 | 7B | 94 BPM | ||
| The Maid of the Mountains (highlights) (1972 Digital Remaster) (1972 - Remaster), Act I: My life is love (Love is my life) (Teresa, chorus, Beppo)* | Harold Fraser-Simson, Chorus & Orchestra/Derek Taverner, Derek Taverner | G Major | 2 | 9B | 89 BPM | ||
| The Mikado / Act 1: 4. Our great Mikado, virtuous man | Arthur Sullivan, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Major | 3 | 9B | 116 BPM | ||
| Lehár: La veuve joyeuse, Act I: Finale. "Cotillon, c'est l'heure du cotillon" - "C'est la valse, écoutez" | Franz Lehár, Yvon Leenart, André Mallabrera, Christos Grigoriou, Choeurs Rene Duclos, Jean Christophe Benoit, Michel Dens, Micheline Dax, Suzanne Lafaye, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 1 | 10A | 97 BPM | ||
| Suor Angelica: Senza mamma, o bimbo | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | F Major | 3 | 7B | 75 BPM | ||
| Deus Salutis (Llef) | London Welsh Male Voice Choir, Edward-Rhys Harry, Annabel Thwaite | G Minor | 4 | 6A | 98 BPM | ||
| Rossini: Petite messe solennelle: XI. Et resurrexit | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Minor | 1 | 3A | 85 BPM | ||
| Mussorgsky: Boris Godunov, Act 1: Drinking Song. "Kak vo gorode bylo vo Kazani" (Varlaam, Grigoriy, Misail) | Modest Mussorgsky, Issay Dobrowen, André Bielecki, Boris Christoff, Nicolai Gedda, Orchestre National Radiodiffusion Française | E♭ Major | 1 | 5B | 88 BPM | ||
| Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM |