"We Pushed Too Hard" by Brandon Roberts had its release date on September 14, 2018. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Unbroken: Path to Redemption (Original Motion Picture Soundtrack)". In this album, this song's track order is #9. We Pushed Too Hard is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With We Pushed Too Hard by Brandon Roberts having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Asphalt Maelstrom | Woodkid | A Minor | 5 | 8A | 85 BPM | ||
| Propulsion | David A. Molina | D Major | 3 | 10B | 118 BPM | ||
| My Own Story | Christopher Willis | A Minor | 4 | 8A | 134 BPM | ||
| Sheku | Young Fathers | E Major | 3 | 12B | 92 BPM | ||
| A Different Man - Main Theme | Umberto Smerilli | B♭ Minor | 2 | 3A | 88 BPM | ||
| The Piano Lesson | Alexandre Desplat | A♭ Major | 3 | 4B | 135 BPM | ||
| Hum | Young Fathers | E Major | 3 | 12B | 92 BPM | ||
| Out of the Emptiness | Steven Price | F♯ Minor | 3 | 11A | 174 BPM | ||
| Safe House Showdown | Brandon Roberts | A♭ Major | 5 | 4B | 132 BPM | ||
| Hush | Young Fathers | E Major | 3 | 12B | 92 BPM | ||
| The Mind Killer | Knut Avenstroup Haugen, The Chamber Orchestra Of London | A♭ Major | 5 | 4B | 80 BPM | ||
| Asajj Ventress - End Credits | Kevin Kiner, Sean Kiner, Deana Kiner | A Minor | 8 | 8A | 140 BPM | ||
| Thrawn's Deductions | Kevin Kiner, Sean Kiner | F Minor | 2 | 4A | 80 BPM | ||
| We Should Not Have Connected | Ludvig Forssell | E♭ Minor | 9 | 2A | 170 BPM | ||
| Beck's Theme - Lightbike Battle | Joseph Trapanese | D♭ Major | 6 | 3B | 108 BPM | ||
| Bristol Speedway | Antony Partos | D Major | 1 | 10B | 200 BPM | ||
| Gasoline II | Ryan Holladay, Hays Holladay, Zach Cregger | C Major | 0 | 8B | 222 BPM | ||
| Andor Season 2 End Credits Music | Jamie Evans Music | A Minor | 4 | 8A | 60 BPM | ||
| Ascension | Natalie Holt | F Minor | 5 | 4A | 138 BPM | ||
| Fire at Will | Brandon Roberts | E♭ Minor | 3 | 2A | 91 BPM | ||
| Journey Sequence | Max Richter | B♭ Major | 1 | 6B | 92 BPM | ||
| To Ilus | Clinton Shorter | D Minor | 4 | 7A | 133 BPM | ||
| This Is Where You Leave Me | Max Aruj, Alfie Godfrey | A Minor | 0 | 8A | 139 BPM | ||
| Another Sunrise | Max Aruj, Alfie Godfrey | A Minor | 1 | 8A | 72 BPM | ||
| High Magistrate | Joseph Shirley, Ludwig Göransson | A Major | 7 | 11B | 170 BPM |