Variations on an Original Theme, Op. 36 "Enigma": Var. III. Allegretto "R.B.T." by Edward Elgar, Chicago Symphony Orchestra, Sir Georg Solti Song Details

"Variations on an Original Theme, Op. 36 "Enigma": Var. III. Allegretto "R.B.T."" by Edward Elgar, Chicago Symphony Orchestra, Sir Georg Solti had its release date on November 1, 1976. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 16 in Elgar: Enigma Variations; Cockaigne by Edward Elgar, Sir Georg Solti, Chicago Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Variations on an Original Theme, Op. 36 "Enigma": Var. III. Allegretto "R.B.T."'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Variations on an Original Theme, Op. 36 "Enigma": Var. III. Allegretto "R.B.T." by Edward Elgar, Chicago Symphony Orchestra, Sir Georg Solti is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Music Key

C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -17.79 dB
Acousticness: 91%
Danceability: 24%
Energy: 22%
Instrumentalness: 89%
Liveness: 8%
Loudness: 70%
Speechiness: 4%
Valence: 12%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Serenade in B flat, K.361 "Gran partita": 3. Adagio	Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Wind Ensemble, Sir Neville Marriner	E♭ Major	4	5B	89 BPM
Debussy: La plus que lente, L. 121	Claude Debussy, San Francisco Symphony, Michael Tilson Thomas	G Major	0	9B	133 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	E Major	1	12B	136 BPM
Simple Symphony, Op. 4: III. Sentimental Sarabande	Benjamin Britten, Metamorphose String Orchestra, Pavel Lyubomudrov	G Major	3	9B	78 BPM
La forza del destino: Overture (Sinfonia)	Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado	E Minor	2	9A	80 BPM
Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	A♭ Major	1	4B	118 BPM
Pictures at an Exhibition (Orch. Ravel): IV. Bydlo	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	A Major	1	11B	90 BPM
Albinoni: Adagio in G Minor	Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields	C Minor	1	5A	90 BPM
Mahler Adagietto Variation (From Symphony No. 5 in C-Sharp Minor, Arr. for Violin and Piano by Jan-Peter Klöpfel)	Gustav Mahler, Gabriele Bagnati, Esther Abrami	F Major	2	7B	82 BPM
Violin Concerto in D Minor, Op. 47: II. Adagio di molto	Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn	B♭ Major	1	6B	173 BPM
The Music Makers, Op. 69: I. Introduction. Moderato	Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright	G Major	2	9B	85 BPM
Carmen Fantasy, Op. 25: Introduction. Allegro moderato	Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada	C Major	3	8B	135 BPM
The Seal Lullaby (Arr. Parkin)	Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason	D♭ Major	0	3B	81 BPM
Violin Concerto in E Minor, Op. 64, MWV O 14: II. Andante	Felix Mendelssohn, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra	C Major	1	8B	85 BPM
Aleko: Intermezzo	Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel	B♭ Major	0	6B	90 BPM
The Arts and the Hours	Víkingur Ólafsson, Jean-Philippe Rameau	D♭ Major	0	3B	136 BPM
Finlandia, Op. 26	Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	3	4B	67 BPM
Cançoneta for Violin and Orchestra	Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner	A Major	0	11B	70 BPM
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo	Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields	A Minor	2	8A	86 BPM
L'Oiseau de feu, K10: X. Khorovod (Ronde) des princesses	Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä	F Minor	0	4A	68 BPM
La mer, CD 111: III. Dialogue du vent et de la mer - Recorded 1985	Claude Debussy, Berliner Philharmoniker, Herbert von Karajan	D♭ Major	2	3B	75 BPM
Salut d'amour, Op. 12 (version for orchestra)	Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper	B♭ Major	1	6B	82 BPM
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle)	Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso	D Major	0	10B	121 BPM
Prelude: 49th Parallel	Ralph Vaughan Williams, Northern Sinfonia of England/Bradley Creswick/Richard Hickox, Richard Hickox, Northern Sinfonia Of England	G Major	1	9B	84 BPM
Suite No. 3, P. 172: III. Siciliana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	C Minor	0	5A	93 BPM