David Hopper, DMorse's ' "Miami Set You Free" was released on its scheduled release date, December 9, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in David Hopper, DMorse's "Let The Beat Control Your Body EP" album is number 2 out of 2. Based on our statistics, Miami Set You Free's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Miami Set You Free by David Hopper, DMorse to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Children's Corner, CD 119: II. Jimbo's Lullaby | Claude Debussy, Pascal Rogé | B♭ Major | 0 | 6B | 76 BPM | ||
| Stravinsky: Petrouchka, Tableau IV "La foire du Mardi-Gras": Danse des cochers et des palefreniers (1947 Version) | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | C Major | 3 | 8B | 122 BPM | ||
| Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): On a branch of a big tree (The Bird) | Raymond Leppard, Richard Baker, New Philharmonia Orchestra | C Major | 1 | 8B | 143 BPM | ||
| Sylvia: Act I: Le berger (Pastorale) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 72 BPM | ||
| Peter and the Wolf, Op. 67: Allegro - Andantino, come prima | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | C Major | 0 | 8B | 80 BPM | ||
| Billy the Kid Suite: VIII. The Open Prairie Again | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 72 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op. 61: No. 2a, Allegro vivace | Felix Mendelssohn, London Symphony Orchestra, Frankie Wakefield, Alexander Knox, John Eliot Gardiner | E Minor | 1 | 9A | 137 BPM | ||
| A Fugal Concerto, Op. 40, No. 2: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | C Minor | 1 | 5A | 88 BPM | ||
| Appalachian Spring: III. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 177 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): V. Ballet of the Unhatched Chicks | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F♯ Major | 1 | 2B | 160 BPM | ||
| Prince Igor / Act 2: Dance of the Polovtsian Maidens | Alexander Borodin, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen | F Major | 1 | 7B | 100 BPM | ||
| Debussy: Danses pour harpe et cordes, CD 113, L. 103: No. 1, Danse sacrée | Claude Debussy, Jean-François Paillard, Lily Laskine, Orchestre de chambre Jean-François Paillard | D Minor | 0 | 7A | 127 BPM | ||
| Wood Notes: IV. Whippoorwill's Shoes: Humorously | William Grant Still, Fort Smith Symphony, John Jeter | C Major | 1 | 8B | 116 BPM | ||
| G minor, op. 15, n? 3 | Frédéric Chopin, Ivan Moravec | B Major | 0 | 1B | 128 BPM | ||
| Pictures at an Exhibition: II. Il vecchio castello | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 86 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 10 in F Major. Presto (Version for Orchestra) | Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim | F Major | 0 | 7B | 137 BPM | ||
| Shostakovich: Suite from the Age of Gold, Op. 22: II. Polka | Dmitri Shostakovich, Orchestre Philharmonique de Radio France, Paavo Järvi | D Minor | 1 | 7A | 91 BPM | ||
| La Sylphide: Act I: Pas de deux - Reel | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | F Major | 1 | 7B | 101 BPM | ||
| Ancient Airs And Dances, Suite No.2, [P. 138]: 1. Laura soave: balletto con gagliarda, saltarello e canario | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | G Major | 0 | 9B | 96 BPM | ||
| Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Pelleas et Melisande - Prelude: Quasi Adagio | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | G Major | 1 | 9B | 83 BPM | ||
| Petrouchka: Valse la ballerine et le maure | Ferenc Fricsay, Berliner Philharmoniker | F♯ Major | 3 | 2B | 149 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 3 in F Major. Allegretto (Version for Orchestra) | Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim | F Major | 0 | 7B | 137 BPM | ||
| Hungarian Sketches, Sz. 97: IV. Slightly Tipsy | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | A♭ Major | 1 | 4B | 55 BPM | ||
| Spartacus, Act II: Parting of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Czech Suite, Op. 39: IV. Romance | Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar | F♯ Major | 1 | 2B | 86 BPM |