"The Hazelnut" by Julian Lage, Gyan Riley, Bill Frisell had its release date on February 21, 2020. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Virtue by Julian Lage, Gyan Riley, Bill Frisell. The song's track number on the album is #7 out of 12 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, The Hazelnut is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since The Hazelnut by Julian Lage, Gyan Riley, Bill Frisell has a tempo of 94 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Hazelnut being at 94 BPM, the half-time would be 47 BPM with a double-time of 188 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| At the Crossroads | John Zorn | E Minor | 4 | 9A | 173 BPM | ||
| M - Music I - Inside C - Curved E-Entrances | Terry Riley | F♯ Minor | 6 | 11A | 100 BPM | ||
| Holocaust In Memoriam, Symphony: I. Preludio, Pt. 3 (Live) | Maya Badian, Romanian National Radio Orchestra, Ludovic Bács | F♯ Minor | 3 | 11A | 80 BPM | ||
| Imaginary Landscape No. 1 | The Manhattan Percussion Ensemble, Xenia Cage, Doris Dennison, Margaret Jansen, John Cage | C Major | 3 | 8B | 142 BPM | ||
| Bumbo | Moondog | B♭ Minor | 4 | 3A | 105 BPM | ||
| Paris | Meredith Monk, Ursula Oppens | A Minor | 1 | 8A | 69 BPM | ||
| A Queer Anthology of Drums | Valentina Magaletti | C Major | 2 | 8B | 113 BPM | ||
| Bajo el Cielo Wankita | Felicita Quillay | F♯ Major | 5 | 2B | 137 BPM | ||
| Cells 9-11 | Terry Riley, Brooklyn Raga Massive | C Major | 7 | 8B | 111 BPM | ||
| Improvised Music #6 | Bill Laswell, Sonny Sharrock, Derek Bailey, Fred Frith, John Zorn | C Major | 5 | 8B | 109 BPM | ||
| Fratres | Arvo Pärt, Gidon Kremer, Keith Jarrett | B♭ Major | 0 | 6B | 77 BPM | ||
| Here We Are (Once Again) | Okkyung Lee | A Minor | 0 | 8A | 134 BPM | ||
| The Gleaner | Larry Grenadier | D Major | 0 | 10B | 90 BPM | ||
| Another Stitch | Nils Petter Molvær | D Minor | 0 | 7A | 102 BPM | ||
| 6.2 | Supersilent | C Minor | 2 | 5A | 110 BPM | ||
| Pärt: Darf ich... | Arvo Pärt, Renaud Capuçon, Orchestre de Chambre de Lausanne | F♯ Minor | 2 | 11A | 71 BPM | ||
| King Rig | Erik Friedlander | C Major | 4 | 8B | 138 BPM | ||
| Comma | Christine Ott | E♭ Major | 1 | 5B | 71 BPM | ||
| 4 Pieces for Violin and Piano, Op. 7: No. 1, Sehr Langsam | Anton Webern, Diamanda La Berge Dramm, Helena Basilova | F♯ Minor | 0 | 11A | 133 BPM | ||
| St Petersburg Waltz | Meredith Monk, Ursula Oppens | F♯ Minor | 1 | 11A | 131 BPM | ||
| Improvised Music #5 | Bill Laswell, Sonny Sharrock, Derek Bailey, Fred Frith, John Zorn | A Major | 4 | 11B | 93 BPM | ||
| 7 Papillons: No. 6, — | Kaija Saariaho, Anssi Karttunen | A Minor | 2 | 8A | 137 BPM | ||
| Divine Revelations | Julian Lage, Gyan Riley, Bill Frisell | B Minor | 2 | 10A | 114 BPM | ||
| Purged Specimen | Blind Idiot God, John Zorn | A Minor | 9 | 8A | 107 BPM | ||
| Threads: I. Prelude - | Paul Lansky, Sō Percussion | B Minor | 1 | 10A | 128 BPM |