Paul Basler, Susan McCullough's 'Reflections: Epilogue' had a release date set for January 1, 2008. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jesse McCormick & Susan McCullough's "It's All Relative" album is number 11 out of 17. On top of that, United States appears to be the country where this track was created. Reflections: Epilogue is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Reflections: Epilogue by Paul Basler, Susan McCullough to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yiddish Dances: III. Doina. Meno mosso, rubato | Adam Gorb, Royal Northern College Of Music Wind Orchestra, Clark Rundell | D Major | 0 | 10B | 113 BPM | ||
| Southern Harmony: II. Wondrous Love | Donald Grantham, Ohio State University Wind Symphony, Russel C. Mikkelson | E♭ Major | 2 | 5B | 95 BPM | ||
| Symphony No. 4: Measures 406-569 - | David Maslanka, Dallas Wind Symphony, Jerry Junkin | B♭ Major | 1 | 6B | 79 BPM | ||
| Candide: V. Make Our Garden Grow | Leonard Bernstein, University of South Carolina Wind Ensemble, Scott Weiss | A Minor | 4 | 8A | 73 BPM | ||
| Watchman, Tell Us of the Night | Mark Camphouse, Concordia University Chicago Wind Symphony, Richard R. Fischer | F Major | 2 | 7B | 95 BPM | ||
| Symphony No. 1, GMW 11: IIIa. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Euphonium Concerto: III. Finale. Giocoso | Vladimir Cosma, Adam Frey, New Zealand Symphony Orchestra, Bruce Hangen | D Minor | 2 | 7A | 151 BPM | ||
| Midnight Call | Alberto Moggi, Giuseppe Brittanni, Jacopo Polimeno, Brandt Martin, Royal Philarmonic Cunes | F Minor | 1 | 4A | 90 BPM | ||
| Canciones for Horn & Piano | Paul Basler, Gary L. Reeves, Nancy Zimmerman | B♭ Major | 0 | 6B | 66 BPM | ||
| Andante | Antonio Capuzzi, Philip Catilinet, David Zerkel, Paolo Andre Gualdi | B♭ Major | 0 | 6B | 63 BPM | ||
| Scaramouche, Op. 165c: II. Modere | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | B♭ Major | 0 | 6B | 168 BPM | ||
| Symphony No. 2: III. Apollo Unleashed | Frank Ticheli, North Texas Wind Symphony, Eugene Migliaro Corporon | G Major | 0 | 9B | 75 BPM | ||
| Courtly Airs and Dances: VI. Allemande | Ron Nelson, Dallas Wind Symphony, Jerry Junkin | E Minor | 0 | 9A | 71 BPM | ||
| Sextet for Brass in E-Flat Minor, Op. 30: II. Allegro vivace | Oskar Böhme, Center City Brass Quintet, Jack Sutte | C Minor | 1 | 5A | 156 BPM | ||
| The Promise of Living from The Tender Land | Aaron Copland, John Williams, Tanglewood Festival Chorus, Boston Pops Orchestra | F Major | 1 | 7B | 135 BPM | ||
| Carnival | Paul Basler, Archie G. Birkner IV, University Of Florida Wind Symphony, David Waybright | B♭ Major | 4 | 6B | 113 BPM | ||
| Wachet auf, ruft uns die Stimme: Vorspiel | Gloria Brass | C Major | 1 | 8B | 64 BPM | ||
| Copland: Suite from Appalachian Spring: VII. Variations on a Shaker Hymn. Doppio movimento (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
| A midnight dance...through the poison garden - Live | Ryan George, Ådalsbruk Musikkforening, Christian Skarbø Tenfjord | C Major | 1 | 8B | 123 BPM | ||
| The Gum-Suckers March (Cornstalks' March) | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| The Pines of the Appian Way (The Pines of Rome) | US Marine Band | B♭ Major | 1 | 6B | 87 BPM | ||
| Bookmarks from Japan: III. The Great Wave Off Kanagawa | Julie Giroux, University of North Texas Symphonic Band, H. Bruce Gilkes | F Major | 3 | 7B | 148 BPM | ||
| An Original Suite: II. Intermezzo | Gordon Jacob, Eugene Migliaro Corporon, North Texas Wind Symphony | A Minor | 1 | 8A | 70 BPM | ||
| Ye Banks and Braes o' Bonnie Doon | Percy Grainger, North Texas Wind Symphony, Eugene Migliaro Corporon | B♭ Major | 2 | 6B | 130 BPM | ||
| Concerto for Double Bass 2nd Movement (with Catherine Milledge) | Martin Smith | D♭ Major | 0 | 3B | 86 BPM |