Tony Bennett's ' "The Best Is Yet To Come" was released on its scheduled release date, November 27, 2011. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. The Best Is Yet To Come's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "The Columbia Singles, Vol. 6". In this album, this song's track order is #8. Based on our statistics, The Best Is Yet To Come's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Best Is Yet To Come by Tony Bennett having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Kind Of Girl | Frank Sinatra, Count Basie | F Major | 2 | 7B | 111 BPM | ||
| Chicago - 1990 Remix / Remaster | Count Basie, Tony Bennett, Tristan Powell | F Major | 4 | 7B | 122 BPM | ||
| Days of Wine and Roses | Billy Eckstine | A♭ Major | 2 | 4B | 86 BPM | ||
| Our Love Will Always Be There | Diane Schuur | A♭ Minor | 4 | 1A | 111 BPM | ||
| Dancing with You | Jeff Meegan | E Minor | 3 | 9A | 116 BPM | ||
| Manhattan | Blossom Dearie | A♭ Major | 0 | 4B | 103 BPM | ||
| I Could Write A Book | Dinah Washington | D Minor | 3 | 7A | 129 BPM | ||
| (It Will Have To Do) Until The Real Thing Comes Along | Dakota Staton | A Major | 2 | 11B | 67 BPM | ||
| To Each His Own | Al Martino | F Minor | 2 | 4A | 129 BPM | ||
| (She's Got The) Blues For Sale | Billy Eckstine | B♭ Major | 2 | 6B | 135 BPM | ||
| Taking a Chance on Love | Jane Monheit | B♭ Minor | 4 | 3A | 173 BPM | ||
| I'm in the Mood for Love | Denise King, Massimo Faraò Trio | F Minor | 1 | 4A | 107 BPM | ||
| Don't Let Me Be Lonely Tonight | Kevin Mahogany | A Minor | 2 | 8A | 116 BPM | ||
| The People You Never Get to Love | Frank Sinatra Jr. | E Major | 1 | 12B | 115 BPM | ||
| You Belong To Me | Ann Hampton Callaway | F Major | 1 | 7B | 179 BPM | ||
| What A Difference A Day Makes | Jaimee Paul, Beegie Adair | C Major | 3 | 8B | 103 BPM | ||
| 12th Avenue | Caity Gyorgy | C Minor | 1 | 5A | 124 BPM | ||
| Smoke Gets In Your Eyes | Dinah Washington | A♭ Major | 3 | 4B | 84 BPM | ||
| Embraceable You | Frank Sinatra, Lena Horne | D Major | 2 | 10B | 163 BPM | ||
| Say It | Frank Sinatra | D♭ Major | 0 | 3B | 84 BPM | ||
| This Is All I Ask | Tony Bennett, Josh Groban | E♭ Major | 2 | 5B | 68 BPM | ||
| The Summer Wind | Madeleine Peyroux | A♭ Major | 2 | 4B | 100 BPM | ||
| Come Saturday Morning (FROM "THE STERILE CUCKOO") | Tony Bennett | D Major | 1 | 10B | 161 BPM | ||
| Movin' On | Tony DeSare | B Minor | 3 | 10A | 132 BPM | ||
| The Poet And The Dreamer | Tom Martucci | B♭ Major | 3 | 6B | 186 BPM |