Fatma Said, Les Frivolités Parisiennes, Sammy El Ghadab's 'Für mich soll’s rote Rosen regnen' had a release date set for December 12, 2025. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Knef: Für mich soll's rote Rosen regnen and no other songs are present in the album, we classify this track as a single. On top of that, United Kingdom appears to be the country where this track was created. Für mich soll’s rote Rosen regnen is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Für mich soll’s rote Rosen regnen by Fatma Said, Les Frivolités Parisiennes, Sammy El Ghadab to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les feuilles mortes (Arr. Leuenberger for Tenor and Piano) | Joseph Kosma, Benjamin Bernheim, Carrie-Ann Matheson | F♯ Minor | 0 | 11A | 69 BPM | ||
| L’amour c’est comme un jour (Arr. for Cello and Orchestra by Martin Ulikhanyan) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
| Chopin Prelude Variation (After 24 Preludes, Op. 28: No. 4 in E-Minor) [Arr. for Accordion & Orchestra by Martynas & Jan-Peter Klöpfel] | Frédéric Chopin, Jan-Peter Klöpfel, Martynas, Vienna Radio Symphony Orchestra | C Major | 1 | 8B | 77 BPM | ||
| Die Zauberflöte, K. 620, Act II: Ach, ich fühl's (Pamina) | Wolfgang Amadeus Mozart, Regula Mühlemann, Umberto Benedetti Michelangeli | G Major | 0 | 9B | 95 BPM | ||
| Dvořák: Songs My Mother Taught Me (From Gypsy Melodies, Op. 55, B. 104) | Sumi Jo, PKF – Prague Philharmonia, Ondrej Lenard | D Major | 3 | 10B | 111 BPM | ||
| O sole mio - Arr. For Horn and Orchestra by Wolfgang Renz | Eduardo di Capua, Felix Klieser, I Solisti di Pavia | E♭ Major | 1 | 5B | 130 BPM | ||
| Comme une larme | Wolfgang Amadeus Mozart, Mireille Mathieu | E Major | 2 | 12B | 126 BPM | ||
| La Sonnambula, Act 2 Scene 12: Ah! Non credea mirarti (Arr. for Countertenor & String Quartet by Eric Mouret) | Théophile Alexandre, Quatuor Zaïde | G Major | 1 | 9B | 101 BPM | ||
| Emily — No Prisoner Be: No. 19, Her Face | Kevin Puts, Time For Three, Joyce DiDonato | G Major | 2 | 9B | 142 BPM | ||
| Enescu: String Octet in C Major, Op. 7: III. Lentement | George Enescu, Quatuor Ébène, Belcea Quartet | G Major | 2 | 9B | 142 BPM | ||
| Falconieri: La Benedetta | Andrea Falconieri, Christina Pluhar, L'Arpeggiata | D Minor | 1 | 7A | 132 BPM | ||
| 6 Lieder de Franz Schubert: I. La Sérénade | Alexandre Batta, Franz Schubert, Sol Gabetta, Irina Zahharenkova | G Major | 1 | 9B | 94 BPM | ||
| Panis Angelicus: Panis Angelicus | César Franck, Cecilia Bartoli, Cinzia Maurizio, Luigi Piovano, Daniele Rossi | G Major | 1 | 9B | 171 BPM | ||
| The Magic Flute, K. 620, Act II: Der Hölle Rache | Wolfgang Amadeus Mozart, Benjamin Holder, Hungarian Studio Orchestra, Dalma Sule | A Major | 1 | 11B | 52 BPM | ||
| La diva de l'Empire | Julie Fuchs | E♭ Major | 2 | 5B | 87 BPM | ||
| Elisabetta, regina d'Inghilterra: Non bastan quelle lagrime | Gioachino Rossini, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | D♭ Major | 2 | 3B | 82 BPM | ||
| Mendelssohn: 6 Duette, Op. 63: No. 1, Ich wollt', meine Lieb' ergösse sich, MWV J5 | Felix Mendelssohn, Fatma Said, Huw Montague Rendall, Joseph Middleton | G Major | 1 | 9B | 131 BPM | ||
| Melodie Poesie (feat. Till Brönner) | Götz Alsmann, Till Brönner | A Minor | 2 | 8A | 97 BPM | ||
| Strauss, R. / Arr. Lenaerts: Der Rosenkavalier | Richard Strauss, Anneleen Lenaerts | E Major | 1 | 12B | 129 BPM | ||
| Fairest Isle | Henry Purcell, Jakub Józef Orliński, Aleksander Debicz, Wojciech Gumiński, Marcin Ułanowski | E Minor | 2 | 9A | 85 BPM | ||
| Lakmé / Flower Duet: Dôme épais le jasmin ... Sous le dôme épais | Léo Delibes, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | F Major | 1 | 7B | 82 BPM | ||
| Ad Ay Sa’ab (El Choclo) | Ángel Villoldo, Fatma Said, Quinteto Ángel | C Major | 1 | 8B | 116 BPM | ||
| Amarilli, mia bella | Giulio Caccini, Samuel Mariño, Jonathan Ware | G Major | 0 | 9B | 126 BPM | ||
| Air Variation (After Orchestral Suite No. 3, BWV 1068: II. Air) [Arr. for Violin & String Quintet by Tim Allhoff] | Johann Sebastian Bach, Tim Allhoff, Eldbjørg Hemsing, Norwegian String Quintet | D Major | 3 | 10B | 87 BPM | ||
| O Virtus Sapientiae (Arr. for Violin and String Quintet by Penelope Axtens) | Hildegard von Bingen, Esther Abrami, Esther Abrami Ensemble | A Major | 2 | 11B | 83 BPM |