"On the Mount" by David A. Molina had its release date on March 1, 2024. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David A. Molina's "Genesis" album is number 2 out of 21. On top of that, United Kingdom appears to be the country where this track was created. The popularity of On the Mount is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of On the Mount by David A. Molina to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 11 Dimensions | Rusanda Panfili, Johannes Winkler | D Major | 3 | 10B | 98 BPM | ||
| Incarnation | Hoenix | D♭ Minor | 4 | 12A | 200 BPM | ||
| Final Hours | Revolt Production Music | A♭ Major | 5 | 4B | 120 BPM | ||
| Line in the Sand | Berend Salverda | C Minor | 6 | 5A | 125 BPM | ||
| The Healer | Shiloh Rodriguez | G Major | 3 | 9B | 180 BPM | ||
| Hollowed Interlude | Stephen James | F Minor | 1 | 4A | 74 BPM | ||
| Never Let Me Go | Ursine Vulpine | D Minor | 3 | 7A | 74 BPM | ||
| Lost Dreams | David A. Molina | F♯ Minor | 5 | 11A | 92 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| Tomorrow Is Another Day | Jo Wandrini | A♭ Major | 2 | 4B | 118 BPM | ||
| Purpose | Tales of the Forgotten, Bill Hemstapat, Dylan C. Jones | D Minor | 1 | 7A | 77 BPM | ||
| Grevesmuehlen | ABBOTT | D♭ Minor | 1 | 12A | 88 BPM | ||
| Mastermind | David Celeste | F♯ Minor | 1 | 11A | 85 BPM | ||
| Imperial Couple | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | A Major | 3 | 11B | 96 BPM | ||
| The Ocean | Clinton Shorter | D Minor | 1 | 7A | 115 BPM | ||
| Epilogue | Gísli Gunnarsson | F♯ Minor | 1 | 11A | 79 BPM | ||
| It's Time to Let Go | Bonnie Grace | F♯ Minor | 2 | 11A | 128 BPM | ||
| Lost Empire | David Celeste | G Minor | 2 | 6A | 131 BPM | ||
| Jump in Infinity | Sergey Cheremisinov | C Minor | 1 | 5A | 160 BPM | ||
| Daydream in D for Cello | Eric Kinny | F♯ Minor | 2 | 11A | 134 BPM | ||
| Quantum Realm | Fringe Element | A Minor | 3 | 8A | 126 BPM | ||
| Among Trees | Krale | G Minor | 2 | 6A | 120 BPM | ||
| He Is Everywhere | Jack Bartman | F Major | 0 | 7B | 69 BPM | ||
| Hard Way | TURPAK | D♭ Major | 4 | 3B | 109 BPM | ||
| Devolution | Tales of the Forgotten, Bill Hemstapat, Dylan C. Jones, Kisnou | F Minor | 3 | 4A | 110 BPM |