"Final Hours" by Revolt Production Music had its release date on November 3, 2016. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Final Hours's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Revolt Production Music's "Infinity" album is number 9 out of 15. Based on our statistics, Final Hours's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Final Hours by Revolt Production Music to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Glorious Ones | Epic Soul Factory, Cesc Vilà, Fran Soto | A Minor | 7 | 8A | 76 BPM | ||
| A Future Of A Thousand Stars | Mitchell Broom | G Minor | 3 | 6A | 113 BPM | ||
| Long Lost Legacy | Kings & Creatures, Brandon Lau | D Major | 8 | 10B | 90 BPM | ||
| Protean, Pt. 3: For What Is To Come | Berend Salverda | D Minor | 6 | 7A | 110 BPM | ||
| Of Fire And Iron | Liquid Cinema | D♭ Major | 6 | 3B | 120 BPM | ||
| Dopamin Rush | Frameshift Music, Fabian Wiestner | A♭ Minor | 6 | 1A | 80 BPM | ||
| Rise of the Phoenix | Revolt Production Music | C Minor | 5 | 5A | 126 BPM | ||
| League of Shadow, Pt. 2: Return to Life | Berend Salverda | F Minor | 6 | 4A | 100 BPM | ||
| Domination | Glory Oath + Blood, Robert Leslie Bennett | D Minor | 7 | 7A | 99 BPM | ||
| A Tragic Fate | Brian Delgado | F♯ Major | 6 | 2B | 98 BPM | ||
| Made of Stardust | Epic Soul Factory, Cesc Vilà, Fran Soto | A Minor | 5 | 8A | 60 BPM | ||
| Rampage | Revolt Production Music | A Major | 5 | 11B | 118 BPM | ||
| To Ilus | Clinton Shorter | D Minor | 4 | 7A | 133 BPM | ||
| My Greatest Hero | Hampus Naeselius | G Minor | 4 | 6A | 99 BPM | ||
| Persephone | Future Heroes | A Minor | 5 | 8A | 120 BPM | ||
| Together We Rise | Mitchell Broom | D Minor | 6 | 7A | 120 BPM | ||
| Crystal | J.T. Peterson | B♭ Minor | 7 | 3A | 144 BPM | ||
| Kruger Suits Up | Ryan Amon | D♭ Major | 5 | 3B | 100 BPM | ||
| Deuce, Pt. 1: Prologue | Berend Salverda | E♭ Minor | 4 | 2A | 90 BPM | ||
| This Is Not the End | Tybercore | A♭ Major | 7 | 4B | 85 BPM | ||
| Star Travellers | Songs To Your Eyes | B Minor | 5 | 10A | 117 BPM | ||
| Gone | Clinton Shorter | D Major | 5 | 10B | 128 BPM | ||
| Move (Me) | ABBOTT | E♭ Minor | 4 | 2A | 120 BPM | ||
| This Is Why I Was Born | 8Dawn | F Minor | 5 | 4A | 90 BPM | ||
| Realm of Infinity | Tonal Chaos Trailer Music | D Major | 7 | 10B | 150 BPM |