"Aftermath" by Hans Zimmer, Lorne Balfe had its release date on November 6, 2020. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Aftermath's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Rebuilding Paradise (Original Motion Picture Soundtrack)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Aftermath is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aftermath by Hans Zimmer, Lorne Balfe having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Journey to the Line (From "The Thin Red Line" Soundtrack) | Hans Zimmer, Gavin Greenaway | A Minor | 1 | 8A | 120 BPM | ||
| First Step | Hans Zimmer | A Minor | 1 | 8A | 71 BPM | ||
| The Legend of Excalibur | Daniel Pemberton | G Major | 3 | 9B | 89 BPM | ||
| Gladiator Orchestra Suite: Part 1, The Wheat / The Battle - Live | Lisa Gerrard, Hans Zimmer, Pedro Eustache, Anna Baulina, Vienna Radio Symphony Orchestra, Martin Gellner | D Minor | 2 | 7A | 130 BPM | ||
| Long Live Sacred Germany | John Ottman | A Minor | 0 | 8A | 171 BPM | ||
| Main Title - From "The Last Of The Mohicans" | Trevor Jones | D Minor | 3 | 7A | 178 BPM | ||
| Cloud Atlas Finale | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 2 | 8B | 97 BPM | ||
| The Resurrection Stone | Alexandre Desplat | D♭ Minor | 0 | 12A | 69 BPM | ||
| Dreaming of the Crash | Hans Zimmer | F Major | 0 | 7B | 83 BPM | ||
| Let Them Up | Junkie XL | C Major | 5 | 8B | 123 BPM | ||
| Take It, It's Yours | Carlos Rafael Rivera | E♭ Major | 0 | 5B | 92 BPM | ||
| Adagio in D Minor | John Murphy | G Major | 5 | 9B | 119 BPM | ||
| See What I've Become | Zack Hemsey | A♭ Major | 9 | 4B | 120 BPM | ||
| Interstellar Suite: Part 1, Day One | Hans Zimmer, Alexander Gibson, Ryan Rubin, Eliane Correa, Pedro Eustache, Gan-ya Ben-gur Akselrod, Aleksandra Suklar, Odessa Orchestra & Friends, Gavin Greenaway | D Minor | 6 | 7A | 98 BPM | ||
| Assassin's Creed Origins Main Theme | Sarah Schachner, Assassin's Creed | A♭ Major | 5 | 4B | 131 BPM | ||
| Main Title | Trevor Jones | D Minor | 3 | 7A | 93 BPM | ||
| Inception Suite: Part 2, Time | Hans Zimmer, Alexios Anest, Rusanda Panfili, Odessa Orchestra & Friends, Gavin Greenaway | D Minor | 6 | 7A | 98 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| Look to the Stars | Hans Zimmer | C Major | 1 | 8B | 75 BPM | ||
| Defeated Clown | Hildur Guðnadóttir | G Major | 2 | 9B | 97 BPM | ||
| Purity of Heart | Steve Jablonsky | G Minor | 4 | 6A | 118 BPM | ||
| Prisoners | Jóhann Jóhannsson | C Minor | 2 | 5A | 89 BPM | ||
| The Foundation Theme (from Zack Snyder's Justice League) | Junkie XL | G Minor | 3 | 6A | 127 BPM | ||
| Next In Line | Jeff Beal | D Minor | 3 | 7A | 82 BPM | ||
| Lorenzo The Magnificent | Paolo Buonvino | E Minor | 6 | 9A | 120 BPM |