"チャイコフスキー:交響曲第1番 ト短調 作品13「冬の日の幻想」;第4楽章 終曲 アンダンテ・ルグーブレ-アレグロ・マエストーソ" by エフゲニ・スヴェトラーノフ, ソビエト国立交響楽団 had its release date on February 16, 2022. This song appears to be safe for all ages as it is not explicit. There is only one song in チャイコフスキー:交響曲第1番 ト短調 作品13「冬の日の幻想」, so we believe that "チャイコフスキー:交響曲第1番 ト短調 作品13「冬の日の幻想」;第4楽章 終曲 アンダンテ・ルグーブレ-アレグロ・マエストーソ" is a single. Based on our statistics, チャイコフスキー:交響曲第1番 ト短調 作品13「冬の日の幻想」;第4楽章 終曲 アンダンテ・ルグーブレ-アレグロ・マエストーソ's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of チャイコフスキー:交響曲第1番 ト短調 作品13「冬の日の幻想」;第4楽章 終曲 アンダンテ・ルグーブレ-アレグロ・マエストーソ by エフゲニ・スヴェトラーノフ, ソビエト国立交響楽団 is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 組曲 展覧会の絵, 死者と共に死者の言葉を持って | Modest Mussorgsky, Maurice Ravel, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | F♯ Minor | 4 | 11A | 79 BPM | ||
| Suite in A Major "American Suite", Op. 98b, B. 190: IV. Andante | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | C Major | 0 | 8B | 63 BPM | ||
| Symphony No. 4 in C Minor, D. 417 "Tragic": II. Andante | Franz Schubert, Berliner Philharmoniker, Nikolaus Harnoncourt | D♭ Major | 0 | 3B | 61 BPM | ||
| Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Finale | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM | ||
| Walton: Cello Concerto: II. Allegro appassionato | William Walton, Gautier Capuçon, Antonio Pappano, London Symphony Orchestra | D Major | 3 | 10B | 133 BPM | ||
| Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: II. The Young Juliet | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | B♭ Minor | 2 | 3A | 172 BPM | ||
| Polovtsian Dances from Prince Igor: V. Presto | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
| 交響曲 第2番 ニ短調 Op. 73 II- Adagio non troppo | Johannes Brahms, Stanisław Skrowaczewski, Yomiuri Nippon Symphony Orchestra | B Major | 1 | 1B | 79 BPM | ||
| Symphony No. 1, GMW 11: IIIb. A tempo. Ziemlich langsam | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Quantum Flow | Jarko Vento | G Major | 3 | 9B | 121 BPM | ||
| Rossini: La Cenerentola: Overture | Gioachino Rossini, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 147 BPM | ||
| Serenade for Strings in C, Op. 48: 2. Walzer: Moderato (Tempo di valse) | Pyotr Ilyich Tchaikovsky, Saito Kinen Orchestra, Seiji Ozawa | E♭ Major | 0 | 5B | 111 BPM | ||
| Wagner: Der fliegende Holländer, WWV 63, Act 2 Scene 1: Introduktion | Richard Wagner, Theo Adam, Otto Klemperer, New Philharmonia Orchestra | F Major | 2 | 7B | 168 BPM | ||
| チャイコフスキー:交響曲第1番 ト短調 作品13「冬の日の幻想」;第3楽章 スケルツォ. アレグロ・スケルツァンド・ジョコーソ | エフゲニ・スヴェトラーノフ, ソビエト国立交響楽団 | F Minor | 0 | 4A | 68 BPM | ||
| 交響曲第4番 ヘ短調 Op. 36: II. Andantino in modo di canzona | Pyotr Ilyich Tchaikovsky, NHK Symphony Orchestra, Tadaaki Otaka | D Major | 0 | 10B | 136 BPM | ||
| チャイコフスキー:交響曲第3番 二長調 作品29「ポーランド」;第4楽章 スケルツォ(アレグロ・ヴィーヴォ) | ロシア国立交響楽団, エフゲニ・スヴェトラーノフ | D Major | 1 | 10B | 116 BPM | ||
| 歌劇「魔弾の射手」序曲 | カール・マリア・フォン・ウェーバー, 渡邉暁雄, 日本フィルハーモニー交響楽団, 財団法人 日本フィルハーモニー交響楽団 | C Major | 1 | 8B | 114 BPM | ||
| チャイコフスキー:交響曲第1番 ト短調 作品13「冬の日の幻想」;第2楽章「陰気な土地、霧の土地」アダージョ・カンタビーレ・マ・ノン・タント | エフゲニ・スヴェトラーノフ, ソビエト国立交響楽団 | F Minor | 0 | 4A | 68 BPM | ||
| Holocaust - In memoriam: II. To Victory | Maya Badian, Romanian National Orchestra, Ludovic Bacs | G Minor | 2 | 6A | 73 BPM | ||
| バレエ組曲「眠りの森の美女」 序奏 | ベルリン フィルハーモニー管弦楽団, ニューフィルハーモニア管弦楽団 | B Minor | 3 | 10A | 64 BPM | ||
| アルルの女 第 2組,曲, 1: Pastorale | Georges Bizet, Gerd Albrecht, Yomiuri Nippon Symphony Orchestra | A Major | 0 | 11B | 121 BPM | ||
| Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: V. Romeo and Juliet Before Parting | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | C Major | 0 | 8B | 71 BPM | ||
| Variations On An Original Theme (enigma), Op. 36 | Edward Elgar, London Symphony Orchestra, Eduardo Mata | G Minor | 1 | 6A | 82 BPM | ||
| Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | G Major | 1 | 9B | 124 BPM | ||
| シベリウス: 悲しきワルツ | Jean Sibelius, 渡邉曉雄, Japan Philharmonic Orchestra | G Major | 0 | 9B | 76 BPM |