アラム・イリイチ・ハチャトゥリアン, 渡邉暁雄, 日本フィルハーモニー交響楽団, 財団法人 日本フィルハーモニー交響楽団's 'バレエ音楽「ガイーヌ」より 子守歌' had a release date set for September 18, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 日本ステレオ初期名盤選 - 1 ロシア管弦楽曲集, so we believe that "バレエ音楽「ガイーヌ」より 子守歌" is a single. In terms of popularity, バレエ音楽「ガイーヌ」より 子守歌 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of バレエ音楽「ガイーヌ」より 子守歌 by アラム・イリイチ・ハチャトゥリアン, 渡邉暁雄, 日本フィルハーモニー交響楽団, 財団法人 日本フィルハーモニー交響楽団 is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Strauss, R: Ein Heldenleben, Op. 40: II. Des Helden Widersacher | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker, Guy Braunstein | E♭ Major | 0 | 5B | 83 BPM | ||
| 組曲 展覧会の絵, 6. サミュエル・ゴールデンベルクとシュミュイレ (金持ちのユダヤ人と貧しいユダヤ人) | Modest Mussorgsky, Maurice Ravel, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | F♯ Minor | 4 | 11A | 79 BPM | ||
| II. Cinderella and the Prince | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | C Major | 1 | 8B | 96 BPM | ||
| Fuego Fatuo, Orchestral Suite on themes by Chopin: VII. Allegro ma non troppo | Real Filharmonia de Galicia | E♭ Major | 0 | 5B | 109 BPM | ||
| 鏡の踊り 歌劇「ファウスト」 バレエ音楽より | Charles Gounod, Tokyo Symphony Orchestra | G Major | 1 | 9B | 85 BPM | ||
| Brahms: Hungarian Dances, WoO 1: No. 5 in G Minor (Orch. Parlow) | Johannes Brahms, Sir Charles Mackerras, Philharmonia Orchestra | C Major | 2 | 8B | 173 BPM | ||
| バレエ音楽「ガイーヌ」より 若いクルド人の踊り | アラム・イリイチ・ハチャトゥリアン, 渡邉暁雄, 日本フィルハーモニー交響楽団, 財団法人 日本フィルハーモニー交響楽団 | G Minor | 6 | 6A | 117 BPM | ||
| Sibelius: Symphony No. 6 in D Minor, Op. 104: III. Poco vivace | Jean Sibelius, Herbert von Karajan, Berliner Philharmoniker | C Major | 2 | 8B | 173 BPM | ||
| ロシアン・メドレー (ピーターと小鳥〜剣の舞〜熊蜂の飛行〜葦笛の踊り) | アラム・イリイチ・ハチャトゥリアン, ピョートル・イリイチ・チャイコフスキー, ニコライ・リムスキー=コルサコフ, セルゲイ・プロコフィエフ, 萩原貴子, 斎藤雅広 | D♭ Major | 1 | 3B | 183 BPM | ||
| 「マドンナの宝石」 間奏曲 第1番 | エルマンノ・ヴォルフ・フェラーリ, 岩城宏之, NHK交響楽団 | F Major | 1 | 7B | 126 BPM | ||
| New World Suite (Reconstructed by A. Walker): IX. Berceuse | Ignatz Waghalter, State Symphony Orchestra "Novaya Rossiya", Alexander Walker | E♭ Major | 1 | 5B | 130 BPM | ||
| Pelléas et Mélisande Suite, Op. 80: II. Fileuse | Gabriel Fauré, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Major | 0 | 9B | 88 BPM | ||
| Polovtsian Dances from Prince Igor: V. Presto | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
| Symphony in C Major, GB 115: III. Allegro vivace | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 116 BPM | ||
| Isabella: Ouvertüre | Franz von Suppé, Franz Welser-Möst, Wiener Philharmoniker | D Major | 3 | 10B | 102 BPM | ||
| バレエ音楽「ガイーヌ」より 剣の舞 | アラム・イリイチ・ハチャトゥリアン, 渡邉暁雄, 日本フィルハーモニー交響楽団, 財団法人 日本フィルハーモニー交響楽団 | G Minor | 6 | 6A | 117 BPM | ||
| Eugene Onegin, Op. 24, TH 5: Polonaise | Pyotr Ilyich Tchaikovsky, BBC Scottish Symphony Orchestra, Alpesh Chauhan | G Major | 2 | 9B | 96 BPM | ||
| Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: III. Friar Laurence | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | F Major | 0 | 7B | 92 BPM | ||
| Symphony No. 9 in E-Flat Major, Op. 70: II. Moderato | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | B♭ Minor | 2 | 3A | 122 BPM | ||
| Symphony No. 3 in C Major, Op. 21: III. Allegretto Moderato | Hakon Borresen, Aalborg Symphony Orchestra, Owain Arwel Hughes | A♭ Major | 0 | 4B | 75 BPM | ||
| Symphony No. 6 in D Major, Op. 104: IV. Allegro molto - Allegro assai - Doppio più lento | Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra | G Major | 3 | 9B | 110 BPM | ||
| Die Fledermaus | Rundfunkorchester des Südwestfunks Baden-Baden | D Major | 1 | 10B | 130 BPM | ||
| Symphony in C Major, Op. 46: II. Sehr langsam - | Hans Pfitzner, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 87 BPM | ||
| Sigurd Jorsalfar, Op. 56 - Three Orchestra Pieces: 3. Hyldnings Marsch (Ceremonial March) | Edvard Grieg, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra | B♭ Major | 1 | 6B | 64 BPM | ||
| Sibelius: Symphony No. 1 in E Minor, Op. 39: I. Andante, ma non troppo - Allegro energico | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM |