V G Bhatkar's ' "Javvari Re Tavvari" was released on its scheduled release date, December 1, 1972. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 4 in Dyandev Mhane Sant Dyaneshwar, Vol. 3 by Bhimsen Joshi, Ravindra Sathe, V G Bhatkar. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Javvari Re Tavvari's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Javvari Re Tavvari by V G Bhatkar is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gali Gali Aur Gaon Gaon Mein | Kishore Kumar, Kalyanji-Anandji | A♭ Major | 6 | 4B | 99 BPM | ||
| Mohabbat Ho Gayi Hai | Asha Bhosle | A♭ Major | 7 | 4B | 156 BPM | ||
| Har Koi Hai Yahan Bas Nithur Niyat Ke Haathon Ka Khilona 1 | Ravindra Jain | A Major | 4 | 11B | 154 BPM | ||
| Madhur Milan Ka Chitra Banaye | Maya Banerjee, Surendra | B Major | 3 | 1B | 124 BPM | ||
| Bhagawan Jeevan Nau | Bhakta Raj Acharya | A♭ Major | 6 | 4B | 87 BPM | ||
| Thag Harva Re Kahe | Jaspal Singh, Deepmala | F♯ Major | 9 | 2B | 154 BPM | ||
| Mera Ban Jaye Koi | Mohammed Rafi | A♭ Major | 7 | 4B | 75 BPM | ||
| Kitne Pyare Din Aa Gaye | Suman Kalyanpur | C Major | 6 | 8B | 96 BPM | ||
| Abhay Pade Pran Sopechi | Ramakrishna Math, Mahesh Ranjan Shome | D♭ Major | 4 | 3B | 130 BPM | ||
| Badi Door Se Chal Kar Aaye Hai | Mohammed Rafi, Aziz Nazan Qawwal | B Major | 5 | 1B | 118 BPM | ||
| Itne Bade Bhagwan Dila De Makan | Prem Nath, Surendra, Mohammed Rafi | B Major | 4 | 1B | 104 BPM | ||
| Dhav Ghei Vithala | Devaki Pandit | A♭ Major | 7 | 4B | 156 BPM | ||
| Aur Chita Par Jay Undela | Manna Dey | D♭ Minor | 1 | 12A | 68 BPM | ||
| Tu Hi Sagar Tu Hi Kinara Pt. 1 | Sulakshana Pandit | A♭ Major | 4 | 4B | 124 BPM | ||
| Dile Ma Har Chi Resh O Khasta Behtar | Ahmad Zahir | G Minor | 4 | 6A | 134 BPM | ||
| Bharat Ke Liye Bhagwan Ka | Pradeep Kumar | E Major | 3 | 12B | 110 BPM | ||
| Ali Aie Babani | Usha Mangeshkar | D♭ Minor | 3 | 12A | 110 BPM | ||
| Par Nari Vish Ki Katar | Brijesh Shastri | F Major | 7 | 7B | 96 BPM | ||
| Tere Milan Ko Kaise Chaloon Piya | Asha Bhosle, R. D. Burman | A Major | 5 | 11B | 105 BPM | ||
| Yashoda Teri Lalna.... | Mumtaz Ali, Miss Meera, J. S. Kashyap | C Major | 3 | 8B | 116 BPM | ||
| Main Tangewala | Zeenat Begum, S. D. Batish | E Major | 3 | 12B | 130 BPM | ||
| Gulshan Gulshan Basti Basti | Manna Dey, Anwar Hussain, Shailendra Singh, Laxmikant–Pyarelal | E♭ Major | 6 | 5B | 96 BPM | ||
| Raat Muraadonwali | Mohammed Aziz, Kavita Krishnamurthy | G Major | 6 | 9B | 104 BPM | ||
| Aa Gaya Lab Pe Afsana | Asha Bhosle, Usha Mangeshkar | A♭ Major | 7 | 4B | 156 BPM | ||
| Madan Dekho Sadhke Chode Baan | Ravindra Jain, Satish Dehra | G Major | 5 | 9B | 139 BPM |