Polonaise, Op. 174: Introduction and Polonaise, Op. 174 by Ferdinand Ries, Christopher Hinterhuber, Gävle Symphony Orchestra, Uwe Grodd Song Details

"Polonaise, Op. 174: Introduction and Polonaise, Op. 174" by Ferdinand Ries, Christopher Hinterhuber, Gävle Symphony Orchestra, Uwe Grodd had its release date on September 1, 2007. This song appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Ries: Piano Concertos, Vol. 2". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Polonaise, Op. 174: Introduction and Polonaise, Op. 174 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Polonaise, Op. 174: Introduction and Polonaise, Op. 174 by Ferdinand Ries, Christopher Hinterhuber, Gävle Symphony Orchestra, Uwe Grodd having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Music Key

E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -18.753 dB
Acousticness: 98%
Danceability: 34%
Energy: 21%
Instrumentalness: 90%
Liveness: 13%
Loudness: 69%
Speechiness: 3%
Valence: 14%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Piano Trio No. 43 in C Major, Hob. XV: 27: II. Andante	Joseph Haydn, Trio Wanderer	A Minor	1	8A	106 BPM
Dvořák: String Quartet No. 13 in G Major, Op. 106, B. 192: II. Adagio ma non troppo	Antonín Dvořák, Artemis Quartet	E Minor	0	9A	118 BPM
Piano Concerto in A Minor, Op.16: III. Allegro moderato molto e marcato - Andante maestoso	Edvard Grieg, Cécile Ousset/London Symphony Orchestra/Sir Neville Marriner, Sir Neville Marriner, London Symphony Orchestra	A Minor	2	8A	118 BPM
Chants d'Auvergne: Berceuse (Arr. for Cello and Orchestra)	Joseph Canteloube, Sol Gabetta, Prague Philharmonic Orchestra, Charles Olivieri-Munroe	B♭ Major	0	6B	86 BPM
Symphony No. 5 in D Minor, Op. 112: I. Allegro	Ferdinand Ries, Janne Nisonen, Tapiola Sinfonietta	D Minor	1	7A	184 BPM
Nocturne in B Major, Op. 40, B. 47	Antonín Dvořák, Baltimore Symphony Orchestra, Marin Alsop	B Major	0	1B	85 BPM
Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto	Max Bruch, George Hanson, Sinfonieorchester Wuppertal	E♭ Major	0	5B	87 BPM
Notturno for Violin and Orchestra, Op. 12	Joseph Joachim, Daniel Hope, Royal Stockholm Philharmonic Orchestra, Sakari Oramo	F♯ Major	1	2B	93 BPM
Die Konige in Israel, Op. 186: Pt. 2: Seht, die Feinde fliehen, fallen (Chorus of the Philistines)	Ferdinand Ries, Nele Gramss, Gerhild Romberger, Ewa Wolak, Markus Schäfer, Harry Van Der Kamp, Marek Rzepka, Kai Florian Bischoff, Rheinische Kantorei, Das Kleine Konzert, Hermann Max	C Major	1	8B	142 BPM
Bagatelles I-XIII: Bagatelle I	Valentin Silvestrov, Hélène Grimaud	C Minor	0	5A	135 BPM
Suite No. 1, Op. 13: III. Nocturne	New Zealand Symphony Orchestra, Jules Massenet	A♭ Major	0	4B	85 BPM
Symphony No. 3 in E Flat Major, Op. 90: II. Larghetto quasi andante	Ferdinand Ries, Tapiola Sinfonietta, Janne Nisonen	E♭ Major	2	5B	118 BPM
Symphony in C Major, GB 115: I. Allegro vivo	Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra	G Major	1	9B	80 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Esa-Pekka Salonen, Yefim Bronfman, Thomas Stevens, Los Angeles Philharmonic	G Minor	1	6A	137 BPM
3 Easy Pieces, K021: II. Waltz	Igor Stravinsky, Paul Lewis, Steven Osborne	D Minor	1	7A	107 BPM
Waldszenen, Op. 82: No. 1. Eintritt (Entering the Forest)	Robert Schumann, Martin Helmchen	B♭ Major	0	6B	119 BPM
Prélude, Choral et Fugue, FWV 21: I. Prélude	César Franck, Charles Owen	B Minor	0	10A	112 BPM
Holberg Suite, Op. 40: IV. Air (Version for Strings)	Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti	G Minor	0	6A	84 BPM
Variations on "Là ci darem la mano" from Mozart's Don Giovanni, Op. 2: Var. I. Brillante	Frédéric Chopin, Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański	F Major	2	7B	79 BPM
Piano Trio No. 1 in B Major, Op. 8: 2. Scherzo. Allegro molto – Trio. Meno allegro - Live	Johannes Brahms, Daniil Trifonov, Ilya Gringolts, Trulls Mørk	B Major	1	1B	146 BPM
Brahms: String Sextet No. 1 in B-Flat Major, Op. 18: III. Scherzo - Allegro molto	Johannes Brahms, Renaud Capuçon, Christoph Koncz, Gérard Caussé, Marie Chilemme, Gautier Capuçon, Clemens Hagen	F Major	3	7B	102 BPM
Symphony No. 1 in C Minor, Op. 32: I. Andante sostenuto - Allegro	Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki	C Minor	1	5A	133 BPM
Bach, JS: Concerto for 2 Pianos in C Minor, BWV 1062: II. Largo ma non tanto	Johann Sebastian Bach, David Fray, Orchestre National Du Capitole De Toulouse	F Minor	3	4A	70 BPM
Piano Sonata in C Minor: I. Allegro moderato e con espressione	Fanny Mendelssohn, Heather Schmidt	E Major	1	12B	114 BPM
6 Moments musicaux, Op. 94, D. 780: III. in F Minor	Franz Schubert, Martin Helmchen	F Minor	0	4A	99 BPM