Guillaume de Machaut, Ensemble Gilles Binchois, Dominique Vellard's 'Joie, plaisance (Medieval Fiddle & Ensemble)' had a release date set for December 31, 2002. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 74 in Dictionary of Medieval & Renaissance Instruments by Various Artists. Based on our statistics, Joie, plaisance (Medieval Fiddle & Ensemble)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Joie, plaisance (Medieval Fiddle & Ensemble) by Guillaume de Machaut, Ensemble Gilles Binchois, Dominique Vellard is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Viderunt omnes: ...Salutare suum ante conspectum gentium revelavit... | Pérotin, Tonus Peregrinus, Antony Pitts | D♭ Major | 3 | 3B | 80 BPM | ||
| Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
| Dame, a vous sans retollir | Guillaume de Machaut, Marc Mauillon, Viva Biancaluna Biffi, Angélique Mauillon, Serge Goubioud, Emmanuel Vistorky, Pierre Hamon | G Minor | 1 | 6A | 82 BPM | ||
| In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
| Canzoni a quattro voci, Op. 1: No. 4, La Merula | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Innsbruck, ich muss dich lassen | Heinrich Isaac, Capilla Flamenca | F Major | 0 | 7B | 94 BPM | ||
| Dos estrellas le siguen | Manuel Machado, Gérard Lesne | G Minor | 2 | 6A | 115 BPM | ||
| Viderunt omnes No. 2: ...Salutare suum ante conspectum gentium revelavit... | Léonin, Tonus Peregrinus, Antony Pitts | F Minor | 1 | 4A | 62 BPM | ||
| Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 171 BPM | ||
| Le vray remède d'amour: Ballade "Dame ne regardes pas" | Guillaume de Machaut, Emmanuel Bonnardot, Randall Cook, Ensemble Gilles Binchois, Dominique Vellard | E♭ Minor | 0 | 2A | 84 BPM | ||
| Missa Nunca Fue Pena Major: V. Agnus Dei | Francisco de Peñalosa, Concentus Musicus Minnesota, Arthur Maud | A♭ Minor | 2 | 1A | 74 BPM | ||
| Quia vidisti me, Thoma | Orlande de Lassus, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 63 BPM | ||
| Carminibus festos / O requies populi | Antonius Romanus, La Reverdie, Claudia Caffagni | A Minor | 1 | 8A | 67 BPM | ||
| The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
| Prologue: L’Orfeo, Ritornello (The Ritual of Initiation) | The Wandering Bard, Claudio Monteverdi | G Major | 0 | 9B | 81 BPM | ||
| L'aspido sordo | Donato da Cascia, La Reverdie | C Major | 1 | 8B | 88 BPM | ||
| Quem a omagen da virgen... | Alphonse X le Sage, Les musiciens de Provence, Maurice Guis | A Major | 2 | 11B | 136 BPM | ||
| Angnel son biancho | Giovanni da Firenze, Anna Danilevskaia, Sollazzo Ensemble | E♭ Minor | 0 | 2A | 103 BPM | ||
| Re di Spagna (Arr. for Wind Ensemble and Percussion by Pascale Boquet) | Antonio Cornazzano, Into the Winds | B♭ Minor | 2 | 3A | 234 BPM | ||
| Viderunt omnes No. 1: Notum fecit... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 135 BPM | ||
| La Parma | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | F Major | 0 | 7B | 139 BPM | ||
| Lucernaire | Ecole gregorienne, Schola Saint-Bruno | A Major | 3 | 11B | 81 BPM | ||
| Fantazia of foure parts | Orlando Gibbons, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 94 BPM | ||
| O Primavera, gioventu dell'anno | Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg | E Major | 1 | 12B | 141 BPM | ||
| Responsories for Maundy Thursday Nocturn 2: I. Amicus meus osculi me tradidit signa | Tomás Luis de Victoria, Tenebrae, Nigel Short | G Minor | 1 | 6A | 79 BPM |