Kishore Kumar, Rajesh Khanna, Asha Parekh, R. D. Burman's ' "Pyar Diwana Hota Hai And Romantic Dialogue" was released on its scheduled release date, January 1, 1970. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in R. D. Burman's "Kati Patang" album is number 3 out of 16. On top of that, India appears to be the country where this track was created. In terms of popularity, Pyar Diwana Hota Hai And Romantic Dialogue is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Pyar Diwana Hota Hai And Romantic Dialogue by Kishore Kumar, Rajesh Khanna, Asha Parekh, R. D. Burman to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hai Sab Se Madhur Woh Geet | Talat Mahmood | F Minor | 2 | 4A | 96 BPM | ||
| Mana Ho Tum Behad Haseen | K. J. Yesudas | B Minor | 2 | 10A | 161 BPM | ||
| Zindagi Mere Ghar Aana | Bhupinder Singh, Anuradha Paudwal | D Major | 3 | 10B | 139 BPM | ||
| Commentary Tabussum And Yaar Ki Khabar Mil Gai - Ram Balram | Tabassum, Asha Bhosle, Kishore Kumar, Laxmikant–Pyarelal | B Major | 6 | 1B | 124 BPM | ||
| Yeh Lo Main Haari Piya | Geeta Dutt, Majrooh Sultanpuri | E♭ Major | 5 | 5B | 83 BPM | ||
| Gori Ka Sajan, Sajan Ki Gori | S. Janaki, Mohammed Aziz | A♭ Major | 7 | 4B | 102 BPM | ||
| Sara Pyar Tumhara | Asha Bhosle, Kishore Kumar | D♭ Major | 5 | 3B | 177 BPM | ||
| Jiska Koi Nahin - Manna Dey | Manna Dey, Kalyanji-Anandji | A♭ Major | 5 | 4B | 96 BPM | ||
| Agar Tum Na Hote - Male Version | R. D. Burman, Kishore Kumar | F Minor | 7 | 4A | 125 BPM | ||
| Ankhiyon Ke Jharokhon Se | Hemlata, Ravindra Jain | C Minor | 5 | 5A | 165 BPM | ||
| Ahl-E-Dil - Sad | Bhupinder Singh | D Major | 3 | 10B | 102 BPM | ||
| Main Teri Nazar Ka Suroor Hoon | Talat Mahmood | G Major | 4 | 9B | 142 BPM | ||
| Sunayanasunayana - Aa In Nazaron Ko Tum | K. J. Yesudas | E Minor | 5 | 9A | 141 BPM | ||
| Na Main Dhan Chahun | Geeta Dutt, Sudha Malhotra, S. D. Burman | B♭ Major | 4 | 6B | 93 BPM | ||
| Hum Tere Bin Kahin Reh Nahin Paate | Anuradha Paudwal, Manhar Udhas | A Minor | 5 | 8A | 126 BPM | ||
| Yaad Teri Aayegi | Anu Malik, Shabbir Kumar | B Minor | 6 | 10A | 128 BPM | ||
| Neele Gagan Ke Tale | Mahendra Kapoor | F♯ Major | 4 | 2B | 109 BPM | ||
| Saiyan Dil Mein Aana Re | Shamshad Begum | C Major | 4 | 8B | 103 BPM | ||
| Phool Gulab Ka | Anuradha Paudwal, Mohammed Aziz | A Major | 8 | 11B | 98 BPM | ||
| Zindagi Ka Naam Dosti | Nitin Mukesh, Mohammed Aziz | F♯ Minor | 7 | 11A | 92 BPM | ||
| Sapnon Ka Raja - Chalte Chalte / Soundtrack Version | Sulakshana Pandit, Shailendra Singh | A Minor | 6 | 8A | 156 BPM | ||
| Chala Jata Hoon (From "Mere Jeevan Saathi") | Kishore Kumar | E Major | 5 | 12B | 108 BPM | ||
| Khuda Kare Ke Mohabbat Mein | Pankaj Udhas | B Minor | 6 | 10A | 88 BPM | ||
| Kab Ke Bichhde Hue | Asha Bhosle, Kishore Kumar, Kalyanji-Anandji | B♭ Minor | 6 | 3A | 85 BPM | ||
| Tum Ko Dekha To Yeh Khayal Aaya | Jagjit Singh, Chitra Singh | D Major | 3 | 10B | 91 BPM |